John Coltrane's Love Supreme - Page 4

I'd like to think that Coltrane would view such attempts at worship as a bit silly, and more than a little misdirected. But they do show the power of music specifically, and art in general, when directed towards expressing a higher belief. Even the most hardened skeptics typically concede that Coltrane's album is a singular, personal statement, but one that resonates with millions of listeners worldwide.

To understand more about it, be sure to read A Love Supreme: The Story of John Coltrane's Signature Album.

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  • 1 - Eric Olsen

    Mar 04, 2003 at 9:20 am

    Very informative and thought-provoking. People look for transcendence wherever they can find it.

  • 2 - Stephen Harris

    Dec 09, 2004 at 2:03 am

    Great Article!!!

  • 3 - HW Saxton

    Dec 09, 2004 at 12:24 pm

    The writer here is well meaning I'm sure
    but also really WRONG on several points.

    Miles Davis' "Kind Of Blue" was recorded
    and released in the spring of 1959 as
    was Coltrane's "Giant Steps" erroneously
    tagged here as being a 1960 release.

    As an aside,Charles Mingus' LP "Ah Um"
    was from 1959 also.Definitely a stellar
    year for Jazz.

  • 4 - Lil Joe

    Sep 12, 2007 at 2:43 am

    It's a darn good article! It catches the spirit of the 60s, the revolution in the social air that gave the music a home.

    There has been a lot of, and in fact most of the articles dealing with Trane's social and spiritual connectedness with the Hippies, and it is good that people know that. But, his music was very profoundly influenced by and influencing of the spiritual lives of those of us in the Black community who were in a state of open rebellion, and many of us who became Marxist dogmatic materialists had become atheists.

    The loss of the ghostly God - the unbodily body - was a loss of spirituality. As I said we were dogmatic materialists.

    But, Trane's piece "Spirituals" performed Live at the Village Vanguard enabled us to merge with the spirituality if pantheism, as Art as Hegel said was the empirical side of the Region of the Absolute Spirit. Trane's "Psalm" poem connection with the final movement of the Suite, as did the music itself in A Love Supreme took us into a pantheistic spirituality.

    This is to say, a spirituality that comprise nature, as the Absolute is not just Subject, but Substance as well (to do an inversion of Hegel and Feuerbach re Spinoza)and Trane, Alice and Pharaoh provided a Pantheism that we felt, as well as rationally understood.

    Lil Joe
    Los Angeles

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