Eventually I understood that it’s not acceptable to surrender or give up, and I picked it up again in the form of a character-based strip. I chose that form with the idea that it would be more effective to present political points using ongoing characters whom readers might identify with, and stories that would be more compelling to follow in an ongoing way.
You've created four very distinct human characters for Minimum Security , and one very angry rabbit — where did you draw your inspiration for them from? Any friends or family to be found amongst them in some shape or form?
Stephanie: They’re all mixed up and combined from parts of myself and people in my life. Nikko, for example, was initially inspired by my brother Nick, whom I love to tease for the TV programs he likes (Nick is much smarter though, and cuter). His sister Kranti and I share a few personality traits (only the positive ones! Ahem. I’m not NEARLY that cranky...and I do wear clothes). I have a good-hearted friend who’s a little silly like Bananabelle, and the name Bananabelle came from my cousin’s pet sheep. Javier’s name came from an activist I’ve admired, who started a community garden. There are even parts of myself in Bunnista... or rather, there would be if I had more guts.
Creating a daily comic strip must be difficult. What's your process for working on the series — writing a whole bunch of strips in advance, like the Celebrity Dodge Ball sequence, for instance — did you sit down over the space of a few days and power through it, or do you only work a few days in advance of your deadline?
Stephanie: Though it can vary somewhat, in a typical week I write five comics on Monday or Tuesday, draw them on Saturday and color them on Sunday. The hardest part is the writing, and I don’t typically get very far ahead. I often sit at the blank page, agonizing over what should happen and how to possibly make it funny, with a growing dread that the clock’s running out. With longer sequences, I usually have a general sense of what will happen, but don’t actually write them out until the week I draw them. They run the week after they’re finished.
Which comes first: the dialogue or the illustration? Or is it simultaneous?
Stephanie: I write out the scripts first. One of the best bits of advice from an editor I ever got was many years ago, and it was this: write everything that absolutely must be in the cartoon ... then cross out half the words. They turn out much better when I remember to do that.