Interview with Karen Hanson, Author of Today's Chicago Blues, Part 2

Part of: Scott Butki's Book Time: Interviews with Authors

This is the second part of a two-part interview.

I wrote about the author in the first part. Since then I read the book and was quite impressed. Here is the second half of the interview

In the first part of the interview you referred to Chicago as “the home of the blues.” Can you elaborate on what you mean by that?

The blues weren't born in Chicago, but they grew up here. In the first part of the 20th century, African Americans came from Southern states to find work in Chicago. They brought with them their culture and their music, the Delta blues. In Chicago the blues became electrified and urbanized.


It also became commercialized in a big way. A major blues label, Bluebird (a subsidiary of RCA), was operating in Chicago even before World War II. After the war, a number of smaller labels sprang up, including the Aristocrat Records, which soon became the major blues label, Chess. Chess recordings influenced the birth of rock and roll.


How does Chicago compare to other major U.S. cities as far as influence, history, and quality of its blues music?

As mentioned above, Chicago was home to several influential blues records labels. It was also the hometown of many major blues artists, including Big Bill Broonzy, Muddy Waters, Howlin’ Wolf, Little Walter, Jimmy Reed, Elmore James… I could go on forever. (While most of these bluesmen weren’t born in Chicago, they did make their home here.)

Obviously other areas of the U.S. also played important roles in blues history, including the Mississippi Delta area, Memphis, Helena, Ark., the Piedmont region, New Orleans, St. Louis, and so on. But from early on, Chicago was the place to go if you wanted to make it big.

Why do you think Chicago is such a mecca for blues music?

Today, Chicago is still a mecca for blues music, just as it was in the 1930s, '40s, '50s and so on. First, the city has more blues clubs than any other city in the world. The city is home to several major blues labels, including Alligator, Delmark, Earwig, Sirens, and Blind Pig. The city hosts the biggest free blues festival in the entire world. And, more blues musicians live and work here than anywhere else.

What exactly does “got my mojo working” mean? I have an idea but please spell it out before I shout it back at another local blues singer?

A mojo is a good luck charm. It’s often associated with the New Orleans gris-gris (pronounced gree-gree). Physically, it can be a lot of things, but most often, a small cloth bag filled with various magic things like dried plants, ground up bones, and so. It’s tied to a cord and worn around the neck. Depending on the hoodoo spell, the mojo can be for luck, love, money, or so on.

Continued on the next page Page 1 — Page 2

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Article Author: Scott Butki

Scott Butki was a newspaper reporter for more than 10 years before making a career change into education.

He is an in-house media critic, a recovering Tetris addict and a proud uncle.

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  • Today's Chicago Blues Today's Chicago Blues

    Illinois Woman's Press Association Award Book Award - 1st Place - General Nonfiction Come on Baby, Don't You Want to Go? Chicago boasts more landmarks in blues history than any place else north of the Mississippi Delta. ...

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