I guess I'm something of a snob, because for the most part I've looked on so called graphic novels as being nothing more than glorified and overblown comic books. Don't get me wrong, there's nothing wrong with comic books, I've loved them ever since I picked up my first Avengers and Sgt. Fury and his Howling Commandos books when I was kid. They were, and are, a great way of escaping reality for however long you wanted to spend poring over their pages. I have to confess, however, I have a hard time with those titles that have started to take themselves seriously while still depicting the female body as something out a male adolescent fantasy. I don't understand how you can claim to be making some great moral or social statement when your female characters defy the basic laws of physics.
Now before I'm inundated with hate mail from graphic novel apologists eager to point out how wrongheaded and stupid I am and wondering how far I've my head stuck inside my intestinal track, I'm perfectly aware there are exceptions to the above. Anything Neil Gaiman is associated with won't look like it was created by someone who has been sitting in his parent's basement glorying in the elasticity of spandex. Those titles, along with a thankfully increasing number of others, have instead focused on how to best take advantage of utilizing two mediums simultaneously in order to tell their story.
From our earliest drawings depicting hunts on cave walls man has been telling stories through images. With the development of language there was a time when imagery took a back seat as a means of telling a story. Now, while theatre and film both use visuals and words, the former doesn't leave a permanent record behind and the latter has come to rely on visual technology to the point where language has become secondary and in many cases movies are now equivalent to paintings on a rock face as far as telling a story is concerned. The graphic novel has the potential for putting language and imagery on an equal footing. However, finding the balance between the two, where the images and the words compliment each to the point where they have equal weight in telling the story, requires both artists and writers to make changes in the way they would normally approach their work.