As a kid I used to love comics. Almost anything put out by Marvel, from The Avengers to Dr. Strange, were read and re-read by myself and my older brother. We weren't the collector types; there wasn't a plastic sleeve to be found in our house; comics were to be read and enjoyed. Our parents were suitably appalled, that their otherwise well-read sons could devote so much time, and money, to reading comics.
Around the time we stopped buying seriously, 1980, comics were just beginning to enter into the graphic novel era. It was still long before the days of people like Neil Gaiman, but large format issues featuring stalwarts of the Marvel and DC Universes were starting to appear. Some were merely omnibus collections of a particular sequence of comics gathered together, but some were stories specifically written and drawn for the larger and more in-depth format.
Since Marvel brought out Spiderman in the early sixties, comics had begun to move away from the one-dimensional heroes of the forties and fifties. The graphic novel, with its full-length story and fully developed character, was the next logical step in that evolution. I seriously doubt that anybody at that time could have predicted that they would ever be anything more than glorified comics.
But with "serious" writers like Neil Gaiman not only adapting their work to the form, but writing directly for it, publishers, who ten years ago might have turned their noses up at the idea, have jumped on the bandwagon. Unlike other instances in popular culture where mainstream involvement has meant the watering down of quality to suit the needs of mass consumption, graphic novels have continued to evolve, tackling new and more complicated subject matter.
One of the best examples in recent history has been Marjane Satrapi's excellent autobiographical series about coming of age in Iran. Originally published in two parts, and now a full-length feature film of the same name, The Complete Persepolis, published in Canada by Random House Canada through its Pantheon imprint, gathers the whole story together in one volume.
Starting in 1979, the year that the Shah of Iran was overthrown in a popular uprising, Persepolis not only tells Marjane's story, but the story of Iran. From Marjane's father and her own studies, we learn the history of this unique country that lies between the Arab world and Asia. Throughout its history, whether as Persia or Iran, the country was constantly under attack and being invaded by one foreign power after another. After World War Two, the father of the last Shah of Iran led a revolt sponsored by the British in return for allowing them access to Iranian Oil. Instead of the republic that most people had hoped for, they merely replaced one dictator for another.
Article comments
1 - Jonathan Scanlan
Agreed, it is certainly one of my favourites.
2 - amanda
Although the book was intriguing, I did not like the storyline.