At its heart, Midnight Sun isn’t about a desperate rescue mission, or about coming to grips with one’s mortality or even about a final shot at redemption. It’s more about how events, seemingly unrelated, converge and influence each other, making for larger, equally unrelated events. Towle paints the story in stark lines, accentuated by minimal gray washes, creating an effect that reflects both the growing desperation of the stranded explorers and the edgy boredom of the rescuers and the reporter.
Midnight Sun isn’t a bombastic graphic novel—in fact, I’d liken it more to a cinema verite than a graphic novel. In the confines of a 6.5”X5.5” format and a mere 136 pages, Ben Towle has managed to bring a historical environ to life. His ear for dialogue and his eye for little details make Midnight Sun a rare treat not only for comics fans, but a remarkable little piece of storytelling.







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