Having been in our consciousness for so long now, zombies have stopped scaring us. These single-minded, hulking undead creatures – their very flesh rotting so badly that it keeps falling off – are now best presented as either a nostalgia retread (Dawn of the Dead) or plain-out satire (Shaun of the Dead). It’s hard to make a serious-minded zombie piece any more – regardless of the medium.
Which is precisely why Robert Kirkman’s The Walking Dead (Image Comics, 2003) was such a standout. In that graphic novel, Kirkman imagined a world where zombies overwhelmingly outnumber humans. A small set of characters stick together and in the face of overwhelming odds try to escape the backwaters and make their way to Atlanta in order to survive. Laced with the basics of a great soap opera and couched in a vibe of post-apocalyptic dread, The Walking Dead was a high-profile success for its creators and ostensibly the reason Kirkman was invited to write a romp involving zombies and the beloved characters from the Marvel Comics Universe.
Marvel Zombies is a story set in a parallel universe, which is really an excuse for writers to indulge in some creative storytelling without regard to legacies, both emotional and financial. It’s a perfect landscape for bloodletting, a fact which Kirkman exploits to his advantage. Kirkman also wisely eschews trying to repeat his previous success with a serious storyline. He injects life into Marvel Zombies primarily by infusing it with so much irreverent gore that all of it becomes funny.
In the story, an unidentified carrier has spread an infection that converts everyone into a zombie. Most of the Marvel superheroes and villains are now zombies. There are no humans in sight, most probably devoured by the zombies. Unlike most undead you see in popular literature, these Marvel zombies have a range of emotions and can talk... a lot.
They get depressed, bicker, fight among themselves, threaten each other, trash talk their opponents and make detailed medium-range plans. All of this centers around their next meal - which consists of anything living they can find.
In the startling opening sequence of the novel, Magneto, a survivor of the plague is chased by a number of Marvel Zombies, including Captain America, Spider-man, Hulk, Hawkeye, Giant Man, Thor and Wolverine. Powerful as he is, the master of magnetism finally succumbs to a bite on his neck from the Wasp. And as he goes down, the former superheroes descend on his body in a feeding frenzy. “I hope you choke on me,” cries Magneto the last time you see him.
Article comments
1 - Natalie Bennett
This article has been selected for syndication to Advance.net, which is affiliated with newspapers around the United States. Nice work!
2 - McCrackan
Shaun of the Dead was not a satire; it was a comic homage. The film made fun of the characters; at no point were zombies themselves the targets of ridicule. That's why the film was successful as both comedy and horror.
3 - Stormrage
Two words... IT SUCKS!!
4 - Stu
Opinions vary...
I thought it was brilliantly done :)
And btw your command of the English language is quite amazing.
You were able to place only 2 words and create a sentence that reflected your most innermost thoughts on the matter.
Masterfully done, bravo!
/golf clap
;)