Making the mother part of the story strengthens its family theme in some surprising ways. Me, I found myself pondering just what it must've been like to give birth to seven of these guys (how did, f'rinstance, stretchy son come out of the birth canal?), though such questions prove irrelevant when we learn that Ma has some pretty formidable abilities of her own. She is, we learn, a force of nature much like the river that proved too strong for the first brother – and when her "years of accumulated misery" are finally given voice, it has devastating consequences for the town.
Riley Rossmo's loose art, filled with sensitive use of blacks and gray wash, is beautifully suited to the story: he is able to make the art look both super-hero comic bookish (e.g., the scenes where first brother swallows and lets go of the river; a bit where stretchable brother escapes the hangman's noose), than more darkly expressionistic (as in a scene where one of the brothers is cornered by the angry mob). It's a far cry from Kurt Weise's more whimsical storybook take on the characters, but it suits the graphic novel's more serious tone. Still, neither Grecian nor Rossmo forget their story's origins. For all their sturm & drang, super-hero comics remain – no matter how much fans or publishers may protest to the contrary – simple children's tales at heart . . .








Article comments
1 - Natalie Bennett
This article has been selected for syndication to Advance.net, which is affiliated with newspapers around the United States. Nice work!
2 - Ambrogio Beccarria
The Graphic Novel AMBROGIO BECCARRIA?! it's quite enthralling!
Click here for a preview!
Thanks - 'a friend', of Jonathan M. Prince (the author & artist of 'Ambrogio Beccarria').