Comics Collection Review: Halloween Classics, Edited by Tom Pomplun

After 2010’s collection of Christmas Classics, it was probably inevitable that editor Tom Pomplun would put together a set for All Hallows. His “Graphic Classics” series has, after all, already devoted anthologies to Horror and Gothic Classics, with some of the genre mainstays (Poe, Lovecraft, Stoker) also meriting their own collection. Clearly, editor Pomplun and his comic art adapters share an affinity for Halloween-y fare.

The new set Halloween Classics (Eureka Productions) is structured around an appealing frame: the stories are introduced a la the old EC and Warren comics, by a horror host. In this case, it’s a somewhat less ghoulish figure, the cap-and-gown bedecked Nerwin the Docent. Though not as snarky or prone to gawdawful puns as the Crypt Keeper, as presented by Mort Castle and Kevin Atkinson, he does provide historical perspective re: our celebration of the dead as well as the classics being presented. And for those wanting a hint of the good ol’ days of horror comics, the book’s title page features EC editor Al Feldstein’s painting of the original storytelling GhouLunatics. The pic’s a mite small, but it still works at establishing Classics’ comic art lineage from the outset.

The collection features five adaptations, one of which proves to be from a surprising, non-literary source. Two of the tales, Washington Irving’s “Legend of Sleepy Hollow” and H.P. Lovecraft’s “Cool Air” are perhaps the most familiar, while works by Mark Twain (the comic “A Curious Dream”) and Arthur Conan Doyle (“Lot No. 249”) prove more obscure, though I do recall seeing a modernized version of the latter in the movie spin-off of Tales from the Darkside. The fifth adaptation takes from movie history itself, a graphic story retelling of the German silent The Cabinet of Dr. Caligari. 

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Article Author: Bill Sherman

Bill Sherman is a Books editor for Blogcritics. With his lovely wife Rebecca Fox, he has recently co-authored a sudsy comic fat acceptance novel entitled Measure By Measure.

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