In the days known as P.D. (pre-Doonesbury), political cartoons with human characters were limited to the editorial page and one large square. The only political comic strip in P.D. critical of the status quo that made it into the daily papers was Walt Kelly's Pogo. Periodically it would feature a character based on first President Lyndon Johnson and later Richard Nixon. I seem to remember Johnson was a basset hound and Nixon a hyena, both remarkably astute pieces of caricature when it came to the two men in question.
In Canada there were two of what were known as editorial political cartoonists who were head and shoulders above the pack, Aislin, the pen name for Terry Mosher and Duncan Macpherson. I think the fact that I can still remember both of them, and specific pieces of their art from thirty odd years ago, speaks volumes as to their style and abilities. Both men considered it open season on politicians of all parties and leanings, and you would have been hard pressed guessing any political allegiances on the part of either man.
In those days the best you could hope for in terms of the mainstream media when it came to political cartoons was that they weren't flag-wavers who demonized supposed enemies by depicting them as racial stereotypes. Duncan Macpherson was probably one of the few cartoonists who would draw an Asian face without making it a mask of evil during the height of the Vietnam war.
It wasn't until Garry Trudeau's Doonesbury that a daily comic strip in the mainstream dared to politically agitate against the powers that be. During the Watergate era of Richard Nixon his strip was actually pulled from newspapers across the United States because the content was periodically considered too volatile and he's probably one of the few cartoonists to ever have motions of censor put forward against him in the Senate.
Thirty plus years later there still aren't many political cartoons to be found on the comic pages of the mainstream press aside from Gary's strip. However, in first the alternative press, and now the Internet, political cartoons of all stripes have sprouted that make Trudeau's strip look tame in comparison. Unfortunately a good many of them, no matter what their politics, really aren't worth the paper or the bandwidth required to produce them.
Thankfully there are people like Stephanie McMillan and her comic Minimum Security that more than compensate for the failings of others. While she makes no secret of her politics and her opinions, she takes the time and effort to research her information and creates cartoons that are witty, intelligent, and iconoclastic. In an era when so much of popular culture is designed to perpetuate the status quo Stephanie bravely uses her comic strip to point out that not only doesn't the Emperor have any clothes on, but that the Empire is without substance behind its pretty facade.
She tackles all the expected issues, Iraq, Homeland Security, Global Warming, and Human Rights. However unlike so many others who are apt to say this is bad, and leave it at that, Stephanie goes the step further and not only explains why, but proves it as well. Open the collection of her work, Attitude Featuring: Stephanie McMillan - Minimum Security published by N.B.M. Publishing, to almost any page and you'll see what I mean.
While the boy wonder, George Bush Jr., is called to account by her cartoons for a good many of the problems facing America (and the world) Ms. McMillan is not naive enough to believe that one figure head is the root cause. In some ways Bush is only a symptom of the system that's been nurtured and developed for 231 years. American foreign policy in North and South America has always been predicated on the needs of corporate America, and today's circumstances are merely a continuation of that policy on a world-wide basis.
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