Four recent books shed new light on film and television productions. So let's start with the book that's arguably the most fun of the bunch: John Kenneth Muir's new Rock & Roll Film Encyclopedia gives a genre of movies that have long been something of a black sheep amongst film critics their due.
The expected biggies are here, including the Beatles' movies, the Rolling Stones' Gimme Shelter, Led Zeppelin's The Song Remains The Same, the Who's The Kids Are Alright, and Prince's Purple Rain. But for a book with "Encyclopedia" in its title, it's frustrating that there are a number of lesser known rock movies that just don't appear.
I would have loved to have seen a listing for Jayne Mansfield's The Girl Can't Help It from 1956, with appearances by Little Richard, Fats Domino, the Platters, and Eddie Cochrane, a film the Beatles were tremendous fans of. And speaking of which, why not 1962's It's Trad, Dad!, which launched Richard Lester's career as a movie director and was a sort of dry run for A Hard Day's Night? Or 1974's Stardust, which featured rocker David Essex, along with Ringo Star in a supporting role, who nearly stole the film right out from under him. With another legendary drummer, the Who's Keith Moon, also in a minor role, the film, which pops up on cable movie channels from time to time, is well worth checking out.
Also missing is Michelangelo Antonioni's legendary 1966 film Blowup, which helped first define Britain's mod era and then three decades later Austin Powers, and featured a knockout performance by the Yardbirds during the brief period the group had both Jeff Beck and Jimmy Page on dueling lead guitars.
Still, what's in the book is quite good, and for fans of this genre (and who isn't?), it's well worth a read. Just don't confuse The Rock & Roll Film Encyclopedia with one of Leonard Maltin's much more thorough movie encyclopedias.
When The Shooting Stops
Beginning with Richard Lester's A Hard Day's Night, which took its lead from the French New Wave movies of the day, one area where rock movies dramatically changed Hollywood was in their use of increasingly rapid-fire editing. That's the subject of Ken Dancyger's The Techniques Of Film And Video Editing, a scholarly but highly readable look at how editing has evolved over a century of moviemaking. As audiences have gotten more sophisticated, movie directors and editors have gotten much more comfortable increasing the pace of editing. And television, particularly beginning with the launch of MTV in the early 1980s, has only quickened the editing pace tenfold.
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