However, Sir Henry Neville is not the first person thought to have been the true author of Shakespeare's work. James and Rubinstein do address this and give a cursory glance as to why some of the more illustrious candidates (such as Christopher Marlowe, Edward de Vere, Earl of Oxford, and Sir Francis Bacon) should be ignored.
In order to examine why Shakespeare's work should be rightfully attributed to Sir Neville, it is necessary to also examine Sir Neville's life and ancestry in great detail. The Truth Will Out most definitely does this, and in keeping with the highest academic standards. The research is thorough and presented in a manner that engages the reader's interest.
There are, however, some issues with the arguments given in order that we accept Neville as the true Shakespeare. The main one is that there is a heavy reliance upon the correlation between the events of Neville's life and of the actual artistic output produced. To boil this down to its basest level, the authors at times suggest that when Neville's life is rosy, this corresponds roughly to the dates of the Shakespearian comedies being written and premiered.
This is a work of academic research and criticism and may be heavy-going for the non-academic reader. It does presuppose a good amount of knowledge of Shakespearian literary history, but in fairness it is intended for an academic audience. The lay reader may need to bear that in mind, but should not at all be discouraged by this fact.
I cannot honestly say whether I fully accept Neville as the author of Shakespeare's work because the book relies too much on the assumption that Neville's output was almost solely determined by his personal and professional circumstances. There is some excellent evidence presented that Neville had access to other literary sources quoted as well as possessing the degree of learning needed to write such work.
But anyone with an interest in the Shakespearian authorship question is heartily encouraged to read this absorbing, informative book. No doubt, it has contributed to the debate by forcing the literary community to accept that there is now a new possible author to the Bard's work.
Article comments
1 - Ken
The fact that at least 20 different "authors" have been put forth over the years should tell you that it's more a matter of people selecting a champion, and then bending the "evidence" to fit their theory.
2 - Deano
I'm currently reading "Shakespeare: by Another Name" which posits the deVere, the Earl of Oxford as the "true" author of Shakespeare...but I have a hard time buying the arguments.
They seem unable to explain the common use of regional slang (terms peculiar to Warwickshire and its environs) that peppers Shakespeare's works, as well as the regular recurrance of the names of various known contemporary Stratford denizens as characters in the plays. I can understand character's based on the famous courtriers etc. but who names a character after an unknown Stratford neighbor - only someone who knew the person well.
Lastly why is it that fellow playwrites such as Jeremy Bentham acknowledged William Shakespeare as the writer? They were his friends and his contemporaries and all sharp, sage writers. Why no joking references in any of their plays about the fakery? They must have known, if someone else wrote the plays.
I suspect it is more an element of scholar competitiveness - find something new to spin around Shakespeare and nake a name for yourself in a field that has already been very well plowed.
Please note that this comment was not actually written by Deano. This is a subterfuge to protect my secret identity as the Prince of Wales....or Madonna....or somebody...I forget.
3 - Snarkattack
Ken -
Yeah, Brenda James briefly mentions that about 20 or so different authors. You most definitely have a point about 'bending evidence', I do agree.
Deano -
I'd like to learn more about the Earl of Oxford authorship story. There is definitely some truth in what you say about competitiveness - in fact this very book mentions that the Earl was chosen as the prime 'real' Shakespeare candidate for various reasons more suited to a certain group of well-to-do persons rather than in the interest of finding the true author.
I do still think it odd that we don't know more about Shakespeare and his educational background. You'd think for someone so well regarded we'd know more about his life and such.
4 - Deano
It's somewhat odd but not exceptional that the written documentation would be limited. The basic scholarship around what is definatively known about Shakespeare hasn't shifted much in the last 150 years (i.e. baptismal record, handful of legal papers, real estate documents, will etc.). He just hasn't left much of a paper trail beyond a few scraps.
I'm only about half-way through the book on Oxford but I find the author (for lack of a better term) reaching in his conclusions. There doesn't appear to be any solid evidence so far that Oxford is Shakespeare beyond the claims that particular characters from the plays were modeled after specific individuals in Oxford's life, or that certain plot lines were lifted from his own experiences.
That may change further in the book, so I'm withholding final judgement...but color me skeptical. As mentioned before, I find it probable that if Oxford was that heavily involved and writing as William Shakespeare, that Shakespeare's contemporaries would have "outed" him, at least alluded to it heavily in multiple plays as the stage was often used as a satirical venue. Players and playwrits took open potshots at each other in their dialogues and plots on a regular basis. By way of example Shakespeare has several tributes to Christopher Marlowe pop up.
Hopefully I'll be able to psot a review in a week of so when I'm finished.
Nice post by the way!
5 - Deano
Sorry - that should read improbable not probable int he above comment...
6 - Snarkattack
Thanks for the comments Deano - look forward to your review of the Oxford book!
7 - Edward Noel
En passant, Snarkattack, it is incorrect to refer to "Sir Neville". A baronet, such as Sir Henry Neville, is always referred to as Sir Firstname Lastname, not just Sir Lastname.
This is because baronetcies - the lowest-ranking English title - were awarded far more frequently than more important titles such as earldoms or dukedoms in which the actual title is different from the family name, for example, Edward de Vere, Earl of Oxford.
A baronet may, therefore, become known as Sir Barnaby Smith, because otherwise there would be hundreds of "Sir Smiths".
8 - Snarkattack
Whoops, sorry about that Edward, I know for the future. Thanks for educating me, I appreciate it!
9 - John F.X. Doherty
William Shakespeare's father John was a member of the Stratford council not briefly but for some years. He was not forced to give up his position but due to circumstances stopped attending council meetings. A replacement was not elected until ten years later. As a member of the council he enjoyed the privilege of free education for his children at the local grammar school. There is no evidence he did not avail himself of this privilege. William did not attend university but even if he had it would have done little to fit him to be a writer. English was not taught as a subject at schools or universities. The attacks on Shakespeare as the writer of the plays are fuelled by conjecture, supposition, speculation, and downright untruths. This latest book does nothing to challenge William's position.
10 - Snarkattack
Your comment, John deals with quite a few issues which I shall attempt to address.
Firstly, any information that I have given in my review was given as a direct result from the facts gleaned from the book in question. Thank you for your clarification on William Shakespeare's father's profession etc. - might I politely ask where you obtained such information? I make no claim to know better, so if your sources are indeed more accurate, then I do apologise.
Secondly, yes I am aware that English as a language was not taught at university, not as we know it now. My studies in Elizabethan literature were rudimentary enough to avail me of that knowledge.
Thirdly and lastly, I personally do not hold any definite view on who Shakespeare is, and I cannot say that it is really all that relevant. What is more relevant, at least to me, is who wrote the plays that have come to us and are labelled as the works of William Shakespeare.
I personally take the viewpoint of Ken in the very first comment. I still don't think enough information is available for me to decide on who 'my' Shakespeare is. It so happens that the authors of this book have put forth their own personal candidate, if you like, as the actual author of Shakespeare's plays.
Thanks for the comment though, you raise several excellent discussion points.
11 - Lou M.
It has been stated that the amount of information about Wm. Shakespeare can be put on a 3x5 card. There have been many historians that have tried to put authorship to others and have not been very convincing.
Who cares if it is really Wm. that authored the plays or the sonnets as we will never convince the world at large that there was anyone else that could have done it.
I know it is fun to provide controversy as I have done in my blog by writing my own version of his biography. It was fun putting it together and filling in the blanks that people have a tendency to just bypass. Like why did he go to London without his family. Or, how did he get into the theater if he was so under-educated. It is more fun to make up things to fill in the blanks of his life and let him have his credit.
12 - Deano
Interesting how these threads spring back up after a couple of years...
Regarding Shakespeare's father - his rise within the "Strafordian local power structure" is fairly well documented - he was nominally a glover but was also a property owner ( he made a number of land purchases which are all documented) and was involved in the wool trade (illegally as he was unlicensed for such activities). John Shakespeare served his first public office as the ale-taster for Stratford, and served as an alderman for many years in Stratford, serving as mayor at one point and Chief Alderman. He even applied for a Coat-of-Arms.
Some have linked his gradual "descent" from authority and his reduced property / business interests that happened slowly from 1576 onwards to his wife's documented recusency and Catholicism. Some scholars believe Shakespeare's father transferred some of his properties to other relations in an effort to avoid recusency fines, taxes and possible confiscation while others maintain it was business reverses while others believe it was the fines and taxes that lead to his having to reduce his holdings....it is very uncertain and arguments can be made for a number of different interpretations. At least one scholar has posited that he fell into alcoholism, not supported by any evidence mind you, but due to William Shakepeare's vivid and memorable descriptions of drunks in his plays made the scholar theorize that he must have had direct experience of such a person (and therefore, given his father's eventual economic descent, the two must be tied together).
Most of the documentation on John Shakespeare comes from the legal, tax and property records for Stratford-on-Avon. The crux is that while this does give historians some ideas of his business and legal dealings (for example, we know he got dinged for refusing to shift a dungheap from the public roadway at one point and was fined on more than one occasion for illegal wool "brogging"), it doesn't really tell you much about the man or his son necessarily - most bios on William Shakespeare draw much of their views of the playwright from his works and the environs than from any documented historical evidence.
Thats just the vageries of history for you...
13 - Dr Dreadful
I know exactly who Shakespeare was. He was the bloke who left us the invaluable legacy of a couple of dozen superb plays, and to whom we owe thanks for his very significant contribution to the way we use English today.
Beyond that, it really doesn't matter a pair of dingo's kidneys who actually wrote the things.
Now if you'll excuse me, I'm off to complete my treatise on why the conquests of Julius Caesar were actually carried out by some other Roman, and why the sermons and miracles of Jesus were really the work of a Judean layabout named Brian. ("He's not the Messiah, he's a very naughty boy!")
14 - Deano
I just smile and recall the most famous stage directions in history - "Enter mariners, wet."
15 - Dr Dreadful
Is that from Twelfth Night, The Tempest or Othello?
16 - Dr Dreadful
Sorry, remiss of me. I should have specified: Twelfth Night by Sid Flugelhorn, The Tempest by Harry Wiggins Jr or Othello by Margaret P. Nutcase and John Flannel, 77th Earl of East Grinstead?
17 - Deano
That one's from The Tempest. My other favorite is "Exit, pursued by a bear" from A Winter's Tale.
18 - roger nowosielski
It's amazing this make-believe controversy keeps on resurfacing time and again.
What does it matter?
It's good to know, though, we have resident Shakespeare scholars in our midst.
19 - Deano
It's sympomatic of the politics of scholarship - the bard's been chewed over and regurgitated for 500-odd years by countless writers, scholars and professors, all seeking that elusive "truth" that will bring them immortality in uncovering some new "fact" (and tenure, let's not forget tenure...) that will elevate them above the dross.
"damned fact"
Macbeth, Act III, Scene 6
20 - roger nowosielski
You may be right there. Lack of genuine talent, I'd say, simply playing the parasite on the works of others.
I suppose it's inconceivable to some that such a body of corpus has been the product of one mind. Well, we have ample evidence from history - Aeschylus or Sophocles, for one.
21 - roger nowosielski
reiteration: such a body of works . . .