Last year my children were delighted by a fictionalized journal ostensibly written by a precocious youngster who scrawled strange and funny drawings in the margins of his irreverent musings. This quirky but charming book, The Diary of a Wimpy Kid, was a hit with the preteen crowd and has already spawned sequels. A movie is coming soon.
Lately I’ve found myself reading a novel for grown-ups that is strikingly similar: The Selected Works of T. S. Spivet is the fictional journal of a precocious twelve-year old who fills up the margins of his notebooks with strange and funny drawings. It remains to be seen whether this unconventional debut by novelist Reif Larsen will also be a big seller or make it to the silver screen. But the reported $1 million advance suggests that the publisher, at least, has high hopes for this work.
Twelve-year-old Tecumseh Sparrow Spivet calls himself a cartographer — watch out, he gets upset when people refer to him as “map boy” — but in addition to standard maps, he also devises graphs, flow charts, illustrations, comic strip panels, and many other types of marginal marginalia. These show up on almost every page and accompany a coming-of-age story in the venerable American tradition of the youngster who goes on a counterculture trip of self-discovery. Think of our hero as a cross between Jack Kerouac and Doogie Howser with a dose of Preston Sturges’ Sullivan's Travels thrown in for good measure.
Spivet comes from a dysfunctional family in Montana. His father is a taciturn rancher who spends his free time drinking whiskey and watching old Western movies. When he speaks, he he offers laconic one-liners such as: "the crick's drier than a mummy's pocket" or "Christ loves all cowboys." The boy's reserved mother — whom the child refers to as “Dr. Clair” instead of “Mom” — is a failed entomologist who has spent most of her career searching for a beetle that may or may not exist. His brother recently died in a mysterious shooting accident. These characters — as well as many incidental players in the book — are artfully sketched, at times with an almost Dickensian drollness.
Despite young Spivet’s powerful intellect, few in the community offer him encouragement; even teachers at school seem more resentful than nurturing. His middle school science teacher calls him a “smart ass” and is annoyed when the youngster doesn’t stick to the specifics of lessons and assignments. But editors at science journals publish his intricate charts and illustrations. Even the prestigious Smithsonian has come to rely on Spivet’s work for exhibit displays.







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