Book Review: The Republic of Poetry - Poems by Martín Espada

Martín Espada's Republic of Poetry reminds me of Oscar de la Hoya's boxing. Beautiful to behold, it's unerring in its aim. Pared down to the essential: it's body blows to the chest, to the gut, head blows that annihilate the opponent and leave the viewer stunned, reeling, gasping for air.

Democracy subverted in Chile and by implication, everywhere, reverberates on every page. The Republic of Poetry is not an elegy, it's an upper cut to complacency, a left hook to amnesia. Wake up, remember what was, see what's happening right in front of you.

The comparison of Espada to Neruda, to Whitman are many, but to me, what comes to mind is poet warrior, able to fight and raise an army with the power of his words. But in case you're not convinced, here is some additional praise for this remarkable book.

“What a tender, marvelous collection. First, that broken, glorious journey into the redemptive heart of my Chile, and then, as if that had not been enough, the many gates of epiphanies and sorrows being opened again and again, over and over.” —Ariel Dorfman

“Martín Espada is a poet of annunciation and denunciation, a bridge between Whitman and Neruda, a conscientious objector in the war of silence.” —Ilan Stavans

“Martín Espada’s big-hearted poems reconfirm ‘The Republic of Poetry’ that (dares) to insist upon its dreams of justice and mercy even during the age of perpetual war.” —Sam Hamill

“Martín Espada is indeed a worthy prophet for a better world.” —Rigoberto González

This is tight, muscular writing. Espada make his point with an economy of language, concealing a dense terrain of imagery and meaning. In this universe, the dead are not ghosts, but fully fleshed - staving off the soldiers, marching in the battlefield, struggling in the streets, and inspiring new generations. Read these and you'll see what I mean:

    "The Soldiers in the Garden"
    Isla Negra, Chile, September 1973

    After the coup,
    the soldiers appeared
    in Neruda’s garden one night,
    raising lanterns to interrogate the trees,
    cursing at the rocks that tripped them.
    From the bedroom window
    they could have been
    the conquistadores of drowned galleons,
    back from the sea to finish
    plundering the coast.

    Continued on the next page Page 1 — Page 2

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Article Author: Lisa Alvarado

Lisa Alvarado is a poet, novelist, and performance artist, author of Raw Silk Suture and Sister Chicas. She is an eldest daughter of an eldest daughter of an eldest daughter, a word-slinging hired gun who carries bendiciones, bruchas and be-bop in her heart.

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