While it may be true that there is no such thing as too much of a good thing, too much of the same thing, no matter how good it is, can get tired after a while. At least this is the case with The Dark Volume, the conclusion to the adventures started by Gordon Dahlquist in his books The Glass Books Of The Dream Eaters Vol.1 and The Glass Books Of The Dream Eaters Vol.2, being published by Random House Canada on March 24, 2009. For what was novel in the first volume, had started to wear thin by the end of the second, and is just tedious here in the third installment.
Set in a fictional England during the Victorian era, the first two books brought together three adventurers from divers social backgrounds as they each accidentally stumbled upon a mysterious cabal who appeared out to control heads of state and captains of industry. Celeste Temple, a proper, upper middle class young woman of independent means; Dr. Abelard Svenson, a military surgeon serving in the navy of the German principality of Macklenburg; and Cardinal Chang, an assassin for hire who is neither Chinese nor Catholic but takes his name from the red leather coat he wears and the disfigurement a whip caused his eyes, are as an unlikely trio of allies you're liable to find anywhere. However, when circumstances brought them together they set aside their differences in the hopes that together they could thwart the cabal's plans.
Those behind the cabal have developed a process that allows them to distill emotions and experiences as a type of blue glass. When a person touches just a piece of the glass they immediately become immersed in, and relive the details of, whatever was "recorded" onto that piece of glass, which could be anything from sexual experiences to murder. Naturally for an era that prided itself on repressing emotions as much as the Victorians, exposure to these pieces of blue glass was rather an overwhelming experience. However, as shocking as the emotional voyeurism might have been, it was the recording process that was the real danger.