Book Review: The Brighton Bunny Boy by Carmen, Alec, and Gus Soth

Last year Magnum photographer Alec Soth was commissioned to work for the Brighton Photo Biennial. But due to a last minute snaggle he was unable to get a work visa in time. At a loss to deliver what was asked of him, on the fly he enlisted his then seven-year old daughter Carmen to photograph what she saw in Brighton. This young woman has now produced two books based on that experience under the auspices of her father, and although in some ways less ambitious than Brighton Picture Hunt, The Brighton Bunny Boy (available from Little Brown Mushroom), a collaboration among Carmen, Alec, and Gus Soth, remarkably conveys both the innocence and anxiety of childhood.

 


Soth pere recently recently explained to the New York Times, for whom he occasionally blogs, that there are wall photographers and there are book photographers, and he considered himself squarely in the company of the latter. I wouldn’t tell anybody not to see a Soth gallery show, but I would tell you to run and find one of his excellent books, from his landmark debut Sleeping by the Mississippi (of which I am fortunate to own the much-sought after first edition - and signed at that!) to the tabloid style newsprint edition The Last Days of W.

 

He has passed on his gift for the photography book to his daughter, who supplies the kind of openness and imagination that most of us unfortunately grow out of. The Brighton Bunny Boy incorporates Carmen Soth’s text and illustrations with her photos of an elusive boy (played by brother Gus) who mysteriously hides in a bunny costume. Such alienation is often seen in her father’s work but I all too well remember that childhood alienation, different from that of adulthood but no less acute, and Soth addresses one of the painful dilemmas of growing up: how to find and assert your identity in the greater society. In the span of eighteen zine-sized pages, a brief but not at all minor drama plays out with character development and resolution. The book is cute and unsettling, a winning combination.

May the Soth family continue their monographic winning streak for generations to come.

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Article Author: Pat Padua

Pat Padua bridges high-brow and low-brow to form a distinctive American pan-browism. He hears the voices cry out from the Western Canon to Justin Timberlake, and, with an arsenal of optical tools ranging from disposable message cameras to the sharpest …

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