Book Review: Storm of the i: An Artobiography by Tina Collen - Page 3

To the world she exuded confidence and bravado, always able to make those around her laugh and delight in her creativity and intellect. But she was crippled by back and neck pain and swamped by tidal waves of guilt, remorse and grief that began to manifest in debilitating as periods of depression so deep she wouldn't want to leave her bed. But this is not solely a tale of woe; it's also a celebration of a life filled with creativity and a zest for experiences. Unlike other tell-all confessions filled with self-abasement, recrimination and negativity, Collen doesn't leave you feeling like you're on a guided trip of the nine circles of her personal hell. In creating this map of her journey she details the whole process, not just the negatives. She even owns up to having taken pleasure out of her life, not something you'd expect to find in this type of book.

One thing — and I was ever so grateful for this — she doesn't claim to have the answers. She's very careful never to cross the line between telling her story and telling people what to do with their situations. While she does talk about the various therapies she has attempted in her search for relief, she refrains from becoming an advocate for any particular one. Even her description of attending an intensive seminar/lecture series whose methods very obviously don't work for her, makes sure to point out how it works for a number of the participants. What she does make clear is that no matter what therapy you use, recovery from any type of early life trauma is ultimately dependant on whether or not an individual is willing to be completely honest with themselves and do their own work. A therapist is only a guide, they can't change your life for you, only you can do that. Not only does Collen make that clear, she also makes it obvious that each of us are different and that her story isn't to be taken as any sort of guideline for recovery.

So what was her purpose in writing this book if it wasn't for that reason? She's honest enough to even tackle that question. At one point she wonders out loud if the process of writing this book, with all its little intricacies and design features, isn't just another means of escape. However, she doesn't try to justify its writing by saying things like "I hope my story will inspire others" or some such crap. She's doing it because she needs to; it's part of her process. She's a creative and intelligent person who thrives when making pieces of art. This book is simply one more of her creations; this time it just happens to be a very realistic, multi media, self-portrait. While other artists might have painted out the wart on their chin, she's more inclined to follow in the footsteps of people like Van Gogh who had no fear of showing the world their true state when putting their own image onto canvas.

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Article Author: Richard Marcus

Richard Marcus is the author of the What Will Happen In Eragon IV? and The Unofficial Heroes Of Olympus Companion, both published and commissioned by Ulysses Press. He has had his work published in print and online all over the world including the …

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