By page 60 of Chris Kuzneski’s Sign of the Cross, I was finally ready to declare that the well of plots derived from Roman Catholic antiquity and intrigue most recently plumbed by Dan Brown’s The Da Vinci Code, had finally dried up. I thought it too dramatically convenient that it took Kuzneski’s Interpol agent, Nick Dial an age to figure out the complete text of the Sign of the Cross, Signum Crucis - In nomine Patris, et Filii, et Spiritus Sancti. Amen, only discovering “The Ghost” (pre-Vatican II) in the nick of time (pun intended). I was also prepared to take Mr. Kuzneski to task for poorly formed characters too concerned with their faith in conflict with their intellect and was completely ready to complain about the procedural swashbuckling characters from Special Forces.
Then, I finished the book. And you know what? It was really pretty good.
To Kuzneski’s credit, he did not take the same road through the Languedoc, looking for the Holy Grail, as did Steve Berry in The Templar Legacy, Raymond Khoury in The Last Templar, Kate Moss in her splendid Labyrinth, Javier Sierra in The Secret Supper, or Matilde Asensi in The Last Cato. These were all fine reads, but as each new book comes out, we are taken further from antiquity into stretched speculation, being asked for too great a suspension of disbelief.
Kuzneski’s tale has a well-kept secret, it just has less to do with Jesus Christ and more to do with his political handlers. In the present age there is a brilliant ancient history scholar from Dover College in England and his nubile, equally brilliant, student and the both of them poking around in Orvieto, Italy, seat of the Papacy during the sack of Rome in 1524.
There are also two American Special Ops spooks from Kuzneski’s previous book, The Plantation, languishing in an Italian prison, liberated on the condition that they find a mysterious operative in the Vatican with a secret, failure meaning their recapture and possible execution. There is a thoughtful Interpol agent investigating a progressive series of crucifixions appearing on three continents and a Texan Cardinal at the Vatican who has a big surprise for everyone. At the center of everything is a powerful and shadowy Italian family, whose ruthless patriarch possesses knowledge that will shake the foundation of not only Roman Catholicism, but of Christianity.
So gentle reader, before giving up on The Da Vinvi Code genre, give Sign of the Cross a read, and think of how Chris Kuzneski could have made a very good book even better.
Article comments
1 - Natalie Bennett
This article has been selected for syndication to Advance.net, which is affiliated with newspapers around the United States. Nice work!
2 - Gordon Hauptfleisch
Solid review. And with the reading history alluded to, I think you've made yourself the go-to reviewer of Da Vinci Code-style novels "that will shake the foundation of not only Roman Catholicism, but Christianity" as they take the gentle reader "further from antiquity into stretched speculation, asking for too great a suspension of disbelief."