Santeria Garments and Altars is a literate, accessible, beautifully photographed book by a man who is a member/initiate in a house of Oshun. Its subtitle is, ‘Speaking Without A Voice.’ How appropriate! The emphasis is on the striking photographs of the variety of altars to the different deities, members of a variety of houses preparing for, or engaged in aspects of worship.
By way of background information — A ‘house’ is a group of devotees of a particular god or goddess under the leadership of a ‘babalawo’, or priest/priestess. Oshun is another one of the Seven African Powers who represents the archetypical female principle and the power of eros. Interestingly enough, abstinence or asexuality, and a virginal principle of female sexuality has no icon, nor any particular social importance.
Another interesting feature is that the author is a male practitioner, much in the tradition that the gods choose individuals to serve them regardless of gender. My own Catholic upbringing was full of gender separation, nuns as Brides of Christ, servants of the male hierarchy, etc. While there are some tasks separated by sex, it does not appear to be as rigid, as attenuated as in a Christian/Catholic context.
One of the major tenets of this religious practice is the construction of altars, which every believer is required to do. There’s a synthesis between aesthetic and spiritual significance. It is considered one’s duty to create, as service to the deity to whom one has pledged oneself. A further illustration of the nexus between creativity and belief is the Santeria/Yoruba belief in ‘ache’, the universal life force present in all things. Each devotee is assumed to have within them the power to create a beautiful altar, one infused with ‘ache.’ In my previous performance pieces, there are ‘anchor ‘ points - static elements that have life infused into them.
pieces being the place where it all comes alive, more specifically where it reflects the Spirit moving in it.'; }
There are several points of connection for me here. When the author created an altar to Oshun, it was clear that it could also be seen as a ‘site-specific installation.’ Size of the space, mood of the space, prominent observation points are all taken into consideration. These are the same consideration I make with each piece, the same considerations any installation artist might make.
Article Author: Lisa Alvarado
Lisa Alvarado is a poet, novelist, and performance artist, author of Raw Silk Suture and Sister Chicas. She is an eldest daughter of an eldest daughter of an eldest daughter, a word-slinging hired gun who carries bendiciones, bruchas and be-bop in her heart.
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Article comments
1 - Natalie Bennett
This article has been selected for syndication to Advance.net , which is affiliated with newspapers around the United States, and to Boston.com. Nice work!