I’d seen Margaret Maron’s name on several books but I’d never picked one up. I found out I’ve been missing a delightful writer. Hard Row is the thirteenth novel of her long-running Judge Deborah Knott mysteries. Now that I’ve read this one, I want to go back and read the others, and probably will make time to do so. That’s the best compliment I can pay a writer.
That, and try to tell other people about the book.
So let me tell you about this book. In Hard Row, Deborah has just gotten married to Sheriff’s Deputy Dwight Bryant. They’ve moved in together, with Dwight’s eight-year-old son, and are dealing with the fallout of trying to mesh their lives together, figure out the pecking order of Deborah as stepmother, and handling Cal’s (the son) natural abandonment issues with his biological mother. She just picked up one day and sailed out of the picture to take care of herself.
The book opens with a prologue set in January at a bar. Hispanic migrant workers gather there to drink and socialize after work. One of them gets into a fight with a white customer who’s obviously spoiling for a physical encounter. This is just a little teaser that sets up the coming action. One of the things I’ve learned in this book is that Maron enjoys telescoping her plots and letting the reader catch glimpses of it along the way.
By the first chapter, we’re in court with Deborah as she deals with the fallout from the bar fight. The scenes told from Deborah’s perspective throughout the book are always told in first-person. I enjoyed hearing her voice on the page and peeking in at her thoughts. Maron is a generous writer and leaves a lot of herself on the page. But she mixes up the first-person perspective with third-person when Dwight and the sheriff’s office work their murder investigation.
Article comments
1 - sch
Dwight's ex-wife was murdered. She did not just pick up and leave to take care of herself. That it what the last book "Winter's Child" was all about.