(Before going further into the later chapters, I must clarify that the above questions are not addressed by the author directly. Instead, taking an interesting stance, the author sides with neither the Chinese nor the Westerners. In other words, he displays more interest in factual accounts rather than interpretations. He lays out facts and different perspectives, and teases out interesting details, while leaving the conclusions to the reader. As such, another reader might see a totally different set of questions raised.)
Thus globalization, as shown in Shanghai's early history, is not a harmless concept or process. It is a struggle between different sets of interests. Had Shanghai not been located by both the South China Sea and the Yangtze River, convenient for transportation into, and out of, China, it would not have attracted the foreign businessmen as early as the 1840s. Globalization at that time was about capitalist expansion and colonialism. The invasive nature of it inevitably resulted in the local people's resistance, thus the constant clashes.
Every coin has two sides. Globalization, then as now, isn't purely evil either. I was surprised to learn from this book that Shen Pao, one of the oldest and most prominent Chinese newspapers, was created by a Briton in 1872. The paper's historical significance is summarized in Baidu.com (the leading Chinese search engine for websites and a cultural discussion forum) as: "In Shen Pao's 78 years of history, it recorded from late Qing Dynasty through ROC all sorts of political, military, economic, cultural and societal information, whose very high historical value resulted in the name 'the encyclopedia of modern history." Furthermore, "Shen Pao's layout was divided into sections of news, commentary, art and ads, which laid out the foundation for the 4-section base structure of modern Chinese newspapers."
Another significant thing brought in by the early globalization was Western architecture. While the old Shanghailanders are long gone, their architecture remains. In fact today it is often cited by foreign residents that, one major attraction of Shanghai is the many old buildings designed by the Britons, French, Americans, etc. Together (and in contrast) with the traditional Chinese longtang, Shanghai is a modern city that preserves an enjoyable diversity in style and "the texture of daily life" (as journalist James Fellows put it), a feature making Shanghai distinct from, say, modern Beijing.
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A major problem with globalization is that it forces the uniform development from the "advanced" economy's point of view, regardless the hugely varying conditions and cultures in the so-called "backward" nations and places. Ironically though, in Shanghai's case it was the de-globalization that was to deprive Shanghai of much of its diversity.
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