Heroes have always been of a singular nature. Dating back to the times of the heroes as depicted by Homer in his Odyssey the hero has stood alone in the world, either through choice or circumstances. Yet what has really distinguished the iconic hero from the rest of us mere mortals has been the ability to reduce the world down to a single focus. Nothing or nobody else matters aside from their quest. Be it a one off rescue of a maiden in distress or a life guided by vengeance for something that took place centuries ago they let nothing interfere with their "destiny".
While this ability to focus can be seen as admirable, taken from another perspective it can also be seen as a form of narrow-mindedness that leaves them with a very limited perspective on the world. Their world is black and white with no room for anything that doesn't fit into the parameters that they have devised for themselves. Anyone who does not support them wholeheartedly is against them, and there is never any question in their minds as to the justice of their mission.

Heroic fiction/fantasy genre of sword and sorcery have fit each other like a glove since the days of pulp fiction magazines. Stalwart heroes like Robert E. Howard's Conan The Barbarian piled bodies around them as they cut a swath through the pages of cheap magazine serials and ten cent pocket books. However, the last 40 years have seen some authors in this genre begin to emulate the rise of the anti-hero in other forms of writing. These heroes are beset with doubts while the purity of their mission and motivations are open to doubt.
One of the leading proponents of this new style of heroic writing has been Michael Moorcock and his famous character Elric of Melnibone - the albino prince who is the sole survivor of a royal dynasty sworn to serve the lords of Chaos. Yet, while Elric is his best known character, a new collection of Moorcock's stories, Elric: To Rescue Tanelorn, published by Random House Canada, shows that Moorcock has always had more than one sword in his arsenal. (It turns out that this is the second in a series of four books -- Chronicles Of The Last Emperor Of Melnione -- being published by the Random House Imprint Del Rey Books gathering together all of Moorcock's short fiction.)
In To Rescue Tanelorn the editors have gone back as far as 1962 for the first story, the novella version of "The Eternal Champion", and continued on down through the years until reaching "The Roaming Forrest" published in 2006. Each of the stories, whether featuring Elric or one of Moorcock's other "heroes", is not only a well told adventure story, but goes some distance in redefining the idea of the hero.
As far back as "The Eternal Champion," Moorcock was already showing his willingness to break the mould that so many other heroic stories had been cast from. Erekose is called from our plane of existence into another world where humanity is locked in a desperate struggle with creatures referred to as "The Hounds of Evil". As the story progresses though, Erekose discovers that the so-called "Hounds" have never instigated war between the two species, and in actual fact possess the means to have obliterated humanity generations ago, but have refrained from using them in the hopes that somehow peace can be won.









Article comments