Book Review: Cinematic Hauntings

Part of: The Communist Vampire's Horror Review

The editors claim "ghost films have been too often overlooked by film historians and critics." They intend to fill that gap in "the subtle side of horror" with this book. And it does, more so than not.

Cinematic Hauntings contains 16 essays by different writers, each devoted to one of the following films: Blithe Spirit, Carnival of Souls, The Changeling, Curse of the Demon, The Haunting, High Plains Drifter, The Innocents, Lady in White, Legend of Hell House, Nomads, Outward Bound, Portrait of Jenny, Scrooge (the 1951 version, later retitled A Christmas Carol), The Shining, Supernatural, and The Uninvited. Because I accept the editors' premise - the relative scarcity of text analyzing ghostly horror films - I question some selections.

If ghosts are spirits of deceased humans (or animals?) not all these films belong here. Some are a stretch. Is Carnival of Souls about a soul trapped between life and death, or a retelling of "An Occurrence At Owl Creek Bridge?" That can be good, demonstrating the resilient diversity of horror. But stretch a definition too far and the word loses meaning. Any way you slice it, Blithe Spirit is a comedy, and Curse of the Demon contains no ghosts.

Randy Palmer, who wrote the essay on the latter, anticipates this objection, writing: "Initially it may not seem that Curse of the Demon has a place in a book devoted to a study of cinematic hauntings, but in fact the film journeys beyond the metaphysical borders separating the physical and spiritual worlds, and many of its elements fit neatly into the category." He characterizes the film's shape-shifting cat, orb of fire, and demon as "ghostly manifestations of evil."

Well, no. These supernatural manifestations are not ghosts, even if they do look "ghostly." That said, Palmer's essay provides an excellent production history of both film and source material (Montague R. James's story, "Casting the Runes"), a detailed plot synopsis, and insightful commentary.

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Article Author: Thomas M. Sipos


Thomas M. Sipos is the author of the anti-Communist satire, Vampire Nation and Manhattan Sharks. Some of his essays on horror film aesthetics appear in his horror collection, Halloween Candy. He founded the Tabloid Witch Awards horror film contest and festival. …

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    Join us for a walk on the subtle side of horror as Cinematic Hauntings peers past the curtain of reality into Hollywood's vision of ghostly terror. Films covered include: Carnival of Souls, Curse of ...

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  • 1 - Natalie Bennett

    May 13, 2006 at 10:59 am

    This article has been selected for syndication to Advance.net, which is affiliated with newspapers around the United States. Nice work!

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