I'm not a fan of horror books, or movies for that matter, along the lines of those written by Stephen King. I've never understood how anyone can enjoy having the shit scared out of them or can find blood and gore being splattered all over the screen anything but repulsive. In fact, of the books along those lines that I've attempted to read I've found them to be dangerously perverse, close to pornographic, in the way the authors seem to revel in delving into the potential for sick and twisted behaviour among human beings. There's far more exploitation, instead of exploration, of human psychological deformities in those I've read to give them any redeeming qualities in my eyes.
There's enough genuine horror in the world we live in that I don't need to read the inventions of anyone who takes pleasure in recreating them. According to the best seller lists I realize this reaction puts me in the minority as there seems to be a huge market for these exploitation thrillers. Thankfully that doesn't mean there's nothing in the genre that's not worth reading and there aren't some gems waiting to be uncovered amidst the dross if you dig around carefully enough. One of those is Rob Scott's 15 Miles being published by Orion Books on August 19, 2010.
With its title taken from the old nursery rhyme of the same name ("From Wibbleton to Wobbleton is fifteen miles/From Wobbleton to Wibbleton is fifteen miles/From Wibbleton to Wobbleton/From Wobbleton to Wibbleton/From Wibbleton to Wobbleton is fifteen miles"), a plot mixing together elements of police procedurals and thrillers with a dash of the supernatural and macabre thrown in for good measure, on the surface it appears no different from any other book in the genre. However, Scott takes the story to another level in the way he's able to take a set of circumstances that is almost a cliché — an isolated farm house in Virginia complete with two corpses in various stages of decomposition, feral domestic cats, mysteriously dead live stock, and a missing person — and turn them into a means of exploring the effects of deep-seated guilt on an individual.



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