Lynn Truss’s “Eats, Shoots and Leaves” turned out to be an utterly delightful discovery. It was a journey into a land I love — punctuation. The lady is endearingly nutty: she once picketed the movie Two Weeks Notice with an apostrophe on a stick, wanting to bring the apostrophe back into the title, after Weeks. But it is full of deep insights and Truss moves with unerring instinct through treacherous territory. Her comments on why we need punctuation at all; how the Internet has damaged language (“it’s not writing, or even typing; it’s just sending”) and how punctuation is actually critical not just to reading and writing but to basic communication are sharp and accurate. She takes a good, hard swipe at the modern trend of self-publishing, so easy with the Internet (bloggers, beware!) and she’s actually right. Some of the comments and customer reviews at Amazon, for instance, are truly hideous, full of typos, badly punctuated and not proofed at all.
Finally began flipping through Richard Hendel’s “On Book Design”. What a marvellous book it is, and so superbly produced! In just a few minutes of skimming, I learned so much. He seems to prefer a Garamond family font (Galliard, Bodoni, Bookman) for print, and I must say I agree entirely: it’s gentle, easy on the eye, flows smoothly and is totally unobtrusive. He uses some wonderful typography for his titles and sidebars, too, and the leading is just right for each of these. It’s sad that so few pay any attention to this.
Having said that, I must confess that my copy of “Eats, Shoots and Leaves” is hopelessly marred and quite useless for anyone else. I have dozens of markings and notes all over the book, but I really couldn’t help it. That book warrants a second and even a third reading. Full of insights and sharp observations, all set in an irresistibly wacky narrative that engages history, literature, technology and poetry, Truss’s book (I trust she approves of the apostrophe here) is not just amusing and entertaining. It is an eye-opener. She explains why punctuation is necessary, how it was invented (contrived might be a better word) and then gives us wonderful examples of the carnage that follows when language is badly punctuated, or not punctuated at all. I loved the one about the “pickled herring merchant”: nasty, that, casting aspersions on his drinking habits, when you really meant “pickled-herring merchant”. What she says very early on, though, is not just true but, sadly, too often overlooked — that punctuation is a courtesy designed to help readers to understand without stumbling. “It is the stitching of language.” If only the customers who post reviews at Amazon would understand that.Powered by Sidelines