I’m going to come clean right away and admit I have a bias in reviewing In The Pleasure Groove by John Taylor. I’m a card-carrying Duranie. Literally, when I was a teen I had packs of those bubble gum trading cards…but I digress. Truth be told, I’ve been waiting for this book to be released since I first learned about it about six months ago. Having the opportunity to officially review it was exciting.
I’m not worried about any conflict of interest though. There will be many strong literary reviews of the book in every medium known to man. After all, my “D Blast” just informed me this morning that the book debuted in the top 10 in both England and the United States. Considering this, I am content to wax somewhat more philosophical than I ordinarily might.
Being a musician and singing teacher, I feel a distant mentorship with “the Boys” that transcends the hype and idolatry that characterized Duran Duran’s existence in the early 80′s. Yes, Taylor’s honesty in Pleasure Groove does throw the curtain back on my Oz. Still, it is worth diluting the mystery to better understand the ways in which our shared experience from opposite sides of the same cultural phenomenon impacted the people of Duran Duran. Recognition of celebrities’ humanity is often lost in the shuffle of photo ops and press junkets. This loss can flay the entertainer and deprives the fan of understanding the source of the works that move them.
In The Pleasure Groove includes many details about Taylor’s early life, which is helpful in understanding his later trajectory. Little things like his hatred of his glasses, getting picked last in gym class and the time he spent building models of military vehicles help pull you into a world where it is possible that John Taylor of Duran Duran could have actually been a young boy named Nigel. The mundane circumstances of his upbringing belie the notion that all out-of-control rockers must have been the product of broken and hopelessly dysfunctional homes.
John discovered his visceral connection to music and the possibility of being a professional in 1976 after becoming entranced by The Sex Pistols’ “Anarchy in the UK.” This is a fun story on the first reading, but it’s even better to reread while listening to the song on YouTube. Try it!
This early musical influence may have been a foreshadowing of the challenges he would face interpersonally and with addiction. There are many theoretical debates taking place about the extent to which humanity is truly in possession of free will. While I can’t get on board with the utter nihilism of many of these theorists, I believe there are certain pivotal moments in our lives where one set of options falls irrevocably away and others present themselves with little alternative. John Taylor’s exposure to “Anarchy in the UK” is one of those moments. If there was any doubt that he would become a successful musician, that possibility died that day.
Having read various brief or unauthorized biographies in my younger years, I thoroughly enjoyed hearing the complete true story of how all of the members of Duran Duran met and coalesced. Evident in Taylor’s telling of it is the vast differences in personality and style of each member. With this diversity, you can see how their early decision to share all songwriting credit and make decisions together was crucial to the development of their sound. He is correct in asserting that if any one member had been allowed to dominate, the music would not have been as unique or interesting.