By season five, Mad Men had firmly established itself as television’s greatest incubator of character development. Matthew Weiner’s recreation of 1960s America viewed through the microcosm of an up-and-coming advertising agency has been playing the long game from the beginning, allowing its myriad complex characters time to evolve naturally and gradually reveal more and more about their inner selves. The superb season four gave the series its biggest wholesale narrative jolt yet, as the relatively comfortable environs of Sterling Cooper were abandoned for fledgling new venture Sterling Cooper Draper Pryce in the finale. Season five finds the characters grappling with this brave new world and gives us a brand new Don Draper who may in fact not be all that different.
Jon Hamm’s portrayal of brilliant womanizer Draper gets a shot of stability in season five as he adjusts to newlywed life with former secretary Megan (Jessica Paré). It’s a move that pays off incredibly well, reducing January Jones’ problematic Betty Draper to a background player and offering the gifted Paré a chance to grow a previously flat role into an intriguingly enthusiastic foil for Don’s neuroses. Best of all, it forces some external changes on Don Draper (who knew he could excel at monogamy?) that bring a sharp focus to his perpetual cognitive dissonance. Is he really a changed man, and even if he is, can he believe that about himself?
Like always, season five of Mad Men proves how well the show excels at character balance, offering up riveting storylines for every major player. Christina Hendricks’ Joan Harris’ tumultuous home life gives way to an even more troubling workplace development, where career advancement comes at a steep, despicable price. As the facilitator of that despicableness, Vincent Kartheiser’s Pete Campbell becomes even slimier and yet still retains an ounce of humanity, his desperation even in the face of ostensible success giving the character a movingly tragic quality.
Peggy Olson’s (Elisabeth Moss) success comes at a much slower rate than her onetime companion’s, but society’s fundamental paradigm shifts are happening, and she finds herself a sometimes reluctant member of that forefront. John Slattery’s Roger Sterling is on the opposite end of that spectrum, trying to grasp the remnants of a bygone era, with the cracks in his own freewheeling perception of himself starting to show. One of season five’s biggest character leaps comes in the form of Lane Pryce (Jared Harris), a heretofore slightly sketched character who we truly to come to know as his life unravels.
Season five of Mad Men is yet another stunning, surprising, engrossing and fully realized set of 13 episodes and another testament to this golden age of television we’re currently experiencing. It stands tall among the four seasons that have come before it and it anticipates further greatness to come from Weiner and company.
The Blu-ray Discs
Season five’s 13 episodes are spread across three discs and are all granted 1080p high definition transfers in 1.78:1 aspect ratios. Like previous Mad Men Blu-ray releases, this one is a consistent visual knockout, showing off the best photography on TV with vibrant colors, abundant fine detail, and sharp, crisp images. The 5.1 DTS-HD Master Audio soundtracks are also stellar, preserving dialogue crisply in the fronts and offering a nice showcase for the show’s killer music choices.
Commentary fans, rejoice, as each episode comes equipped with two each, one for the creative team and one for several actors. Featurettes include a piece on the series’ memorable quotes, a look at artist Giorgio de Chrico, whose work inspired season five’s ad campaign, and an exploration of the show’s scoring. A couple extras put the time period in context, with looks at Truman Capote’s “Party of the Century” and the introduction of Daylight Saving Time. A gallery of Newsweek covers offers further historical perspective.
The Bottom Line
The genius of Mad Men just keeps coming, and season five easily earns its place next to previous seasons on the shelf.Powered by Sidelines