Anyone who knows just the most rudimentary facts about life in contemporary Britain knows that the Government, businesses, and most of the British citizenry, brow-beaten by political correctness, bend over backwards to avoid offending our Muslim community. A lot of members of this very community are hard-working and loyal to this country, no doubt about it. But if you were going to write a script for a medical drama where a bomb goes off at a British bus station, circa 2007, from what community do you think it's most likely that your bomber originated?
For instance, for roughly twenty years — from the late '70s to the late '90s — if you wanted to write an effective script for a gritty drama involving a bombing in Britain, then you would have focused on the IRA or any number of little similarly minded IRA splinter groups. You could have made it as clear as possible that you weren't blaming the whole of the Irish community in Britain, that this was only the work of fanatics. But nevertheless, your bomber would have been Irish and he probably would have come from a heavily Irish community that may not necessarily have "harbored" him — they may not even have known about his politically fanatic leanings — but certainly the point would be taken. No matter how apologetically you tried to write the script, the tragedy would have been caused by an Irish man or Irish men.
Still with me? Good. Just for the record, I am half-Irish myself, and proud of it, yet I fully acknowledge the reality of this sort of typecasting. It just would have made no sense to blame the fictional atrocity on any other group because anyone living from 1978-1998 would have automatically thought, in the wake of a bomb blast, "Those bloody Irish!"
These days, it's fanatics from the Muslim community that are attacking us, their sense of grievance being stoked by reactionary mosques across the land. Fact, not fiction, not conjecture. But that hasn't stopped the BBC from ignoring reality and blaming their fictional bombing on someone else as they did with the latest edition of Casualty.
Casualty is a BBC-produced medical drama which takes place in an Accident & Emergency Unit, sort of the British answer to ER, and it's damn good entertainment. But the show's writers have a penchant for making certain "terrorists" out to be a bigger threat than the more likely suspects. A year ago, Casualty had an episode where two animal-rights extremists set out to bomb a medical researcher at her home, but end up accidentally blowing up a veterinarian, who came to the researcher's house to look at her dog, instead. This particular storyline was laughably unrealistic — as if a vivisectionist would spend her day slicing mammals up and then come home to her dog! — but now they're at it again.
This time, two more animal-rights extremists accidentally blow up a bus station, when the incindiery material they place into the luggage area of the coach they were to board ignites for some reason. Although the script-writers made it clear that the two animal rightists did not mean to cause carnage at the bus station, the message somehow is that there are loads of animal-rights extremists swarming across this land, constantly screwing up their plans, maiming and killing innocent people in the process.
To be fair to the writers of Casualty, they originally wrote the script to feature a young Muslim blowing himself up at the bus station. So it's not so much the show's fault as it is their puppet-masters'. The BBC forced the program's writers to re-write the show so that animal extremists get the blame instead, because we all know that the Animal Liberation Front and PETA are greater enemies to our civilization than Al-Qaeda and other like-minded terrrorists. Right?
It's a load of rubbish and the BBC knows it, but they'd still rather peddle this nonsense to people thick enough to believe it. Yet, the fact is, animal-rights extremists do carefully target those places where they know vivisection takes place, looking to disable a facility's equipment or suchlike. Sometimes they'll go after the breeders of animals used for research and, though they can get downright insensitive about it, they are no threat to the general public whatsoever. Yet, ludicrously, we have a situation in this country where stalls disseminating animal rights literature are disbanded by the police, but books by terror-advocating imams can be found in libraries. It seems that the BBC are simply taking their Casualty storylines from Government propaganda.
But money talks. It always has, it always will. There's no money in going after radical Muslims. However, the Government is happy to hop into bed with animal researchers because their legal torture rakes in loads of moolah. So, to placate their sugar daddies, the Government cracks down on the animal rights crowd, telling them sternly, "We won't tolerate your terror!" Gee, we can all sleep easy at night then, huh? Never mind what Mohammed or Abdul may get up to after soccer practice.
I'm not the only one nonplussed by Casualty's latest storyline: Right-wing columnist Richard Littlejohn was similarly bewildered. In his August 21 Daily Mail column "Truth is the first Casualty — again," he writes:
In real life, it's Muslims committing all the terrorist atrocities in Britain these days … [T]o pretend that the bunny liberation brigade are bombing bus stations is preposterous.
Admittedly, the animal rights movement contains its fair share of violent lunatics. But as much as they love beagles and lab rats, there is no recorded incident to my knowledge of any of them being prepared to lay down their own lives for the cause.
Even if we concede that the decision to pull the Casualty episode was taken for the most laudable of reasons, it is yet more evidence of the institutionalised bias, cowardice and cultural cringe that runs through the Corporation like the lettering in a stick of rock.
The simple fact is that the BBC, like the police, the CPS and so many other of our public institutions, is scared to death of upsetting Muslims.
Again, this should be common knowledge to anyone who knows even the remotest of aspects of life in modern-day Britain. The BBC's most recent episode of Casualty only confirms that beyond a shadow of doubt.