The Woodlawn Theatre offers up a bloody Halloween treat with an absolutely superb production of Sondheim's deliciously dark musical.
Read More »Kurt Gardner
Theater Review (San Antonio): ‘Marriage Play’ by Edward Albee
Even minor Albee is still Albee — a voice, now silenced, that will be much missed in American theater.
Read More »Interview: Tim Hedgepeth, Director of Edward Albee’s ‘Marriage Play’ at San Antonio’s Classic Theatre
The director talks about Albee's enduring legacy as well as the rewards of staging one of the playwright's less frequently seen works.
Read More »Filmmaker Interview: ‘Coming Out’ Director Alden Peters
Director Alden Peters' debut feature is an intriguingly personal documentary chronicling his experiences of coming out in the digital age.
Read More »Movie Review: ‘Hell or High Water’ starring Jeff Bridges, Chris Pine and Ben Foster
A late-summer surprise with a great cast, Hell or High Water is an exciting, character-driven antidote to the season's typical sequels and would-be blockbusters.
Read More »Theater Review (San Antonio): Andrew Lloyd Webber and Tim Rice’s ‘Evita’ at the Woodlawn Theatre
The winner of multiple Tony Awards, Andrew Lloyd Webber and Tim Rice's 1976 musical arrives at San Antonio's Woodlawn Theatre in a note-perfect production.
Read More »Filmmaker Interview: Gillian Armstrong, Director of ‘Women He’s Undressed’
Director Gillian Armstrong discusses her new documentary about the legendary Hollywood costume designer and gives her opinion about the state of the film industry today.
Read More »San Antonio Film Festival Interview: Robert L. Camina, Director of ‘Upstairs Inferno’
Robert L. Camina discusses the making of his documentary that screened at last week's San Antonio Film Festival.
Read More »Theater Review (San Antonio): ‘Lunt and Fontanne: The Celestials of Broadway’ at the Classic Theatre
Co-star Lang's one-act piece is a warm portrait of one of the most famous (and forgotten) acting couples in Broadway history.
Read More »Movie Review: Noah Pritzker’s ‘Quitters’
Pritzker’s assured feature film debut is a quietly chilly portrait of a family in disrepair.
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