"Everyone in this room is connected, except Norah - she’s the kind of statue they don’t ever make, a statue of someone totally defeated".

Norah Silverberg meets Nick O'Leary at a club in downtown Manhattan. Nick is stuck in his usual emo-depressed state due to his recent break-up with Tris, who had inspired him to write beautiful songs. Norah comes from a bad relationship with a very politically-oriented boyfriend, Tal, whom she's dumped about five times in the last three years.

Nick can't stand the idea of confronting his ex-sexpot Tris approaching him with a new boyfriend, so he turns to this girl Norah, whom Nick had been contemplating previously at the bar, and asks her if she'll concede to be his five-minutes girlfriend. Norah concurs to it only because she wants to check out Nick's straightness as a confirmation of her earlier analysis of this attractive musician from Hoboken (who auto-describes himself as a random bassist in an average queercore band) and to peeve Tris, her mate in the Sacred Heart school.

Nick's bandmates are gay and ironic, Dev from a town in Jersey called Lodi (idol in reverse) and Thom from South Orange. Nora's best friend Caroline is feisty, with the long caramel hair, the big cherry Tootsie Pop lips and a promiscuous behaviour.

The story of Nick & Norah's Infinite Playlist belongs to the young adult genre, although its appeal is universal, since it explores the search for real sensations and everlasting nights in a mix-tape narrative allegory. It's told from alternative simultaneous views by the writers Rachel Cohn (Gingerbread, Cupcake, You Know Where to Find Me), Norah's bi-polar voice, and David Levithan (Naomi and Ely's No Kiss List, Realm of Possibility, Boy Meets Boy) who adopts shy Nick's voice. In the first chapters we can receive a wrong impression by the characters, because the first brushes are a bit harsh, in an intoxicated atmosphere of clubs crowded with frantic doped teenagers, and the boy and girl could come off as self-absorbed and narcissist music geeks. "Sweat, malice, and hunger pour from me" are some of Nick's first thoughts on set. After their concert, he only can think of Tris' infidelities: "Three weeks, two days, and twenty-three hours ago. And she’s already with someone else. All of the songs I wrote in my head were for her, and now I can’t stop them from playing". These constant negative thoughts turn Nick more broken and void by the minute. It's almost as if initially Nick and Norah were written as two obsessed indie passengers whose purpose is to fill their null soundtracks of their respective mute lives.

"He’s working the ironic punk boy–Johnny Cash angle too hard to be a ’mo. Jersey-boy bassist with Astor Place hair who wears torn-up, bleach-stained black jeans and a faded black T-shirt" is the accurate analysis of Nick by Norah's intensely radiographic girly mind. Her boyfriend Tal and best friend Caroline have made her believe she's possibly frigid and she expresses her fear of being the Tin-Woman in a exhaustive series of internal monologues throughout the novel. She is horribly confused expressing her sexuality with boys, auto-defining herself as a "horrid bitch from the planet Schizophrenia", although she's actually a Jewish valedictorian princess from Englewood Cliffs, a record company CEO's spoiled daughter. Norah had only kissed Tal and Becca Weiner from summer camp until this Saturday. Norah is a lonely creature who only trusts her archive of My So-Called Life episodes as a guide to her romance record.