In Giuseppe Tornatore’s The Legend of 1900, after an abandoned baby is left aboard a great ocean liner, he spends the rest of his life at sea. And although he’s tempted by love, as an adult, “1900” (Tim Roth) finds himself unable to leave the vessel that has become his home. While 1900’s oceanic landscape endlessly changed as the ship moved from port to port and his circumstances were played for melancholic fairy tale like whimsy in Tornatore’s period piece, in four-time Emmy nominated director Lee Shallat Chemel’s feature film debut Greener Mountains, we’re offered a similar set-up but a decidedly sunnier approach.

In Chemel’s contemporary, warmly inviting film, although the equally abandoned child JP Barton (Chris Heuisler) has also lived in the same location where he was discovered and for him the view never changes, after only a few introductory, gorgeously photographed shots, we realize that compared to 1900, he’s living in a far more idyllic situation. Set amidst the breathtakingly picturesque Vermont setting of Barton’s Family Resort, we instantly recall Chemel’s other television credits working in other welcoming communities such as Gilmore Girls’ Stars Hollow and Northern Exposure’s Cicely, Alaska. After a cinematographic dream of a credit sequence in which any single frame could be pulled out and turned into a postcard, we’re introduced to the now college-aged JP who nearly runs the resort alongside his best friend, caretaker and the only family he’s ever known, Barton’s owner M (Nan Martin) who also narrates the film.

While M’s slightly clichéd narration and the film’s frequent, confusing, and poorly transitioned over-reliance on flashbacks do pull us out of the film at times, it’s such an engaging, appealing, and refreshingly wholesome summer sleeper that those who are willing to overlook the contrivances will find themselves entertained. An ideal family film that seems like a perfect programming choice for a cable family or teen based network, Greener Mountains evolves into a romantic coming of age tale as the sweet-natured JP finds himself questioning his limited existence when the lovely Alice (General Hospital’s Kimberly McCullough) arrives from New York, hoping for artistic inspiration and an escape from a recent breakup.