REVIEW

Music Review: Two Beethoven Firsts

Written by C. Michael Bailey
Published June 25, 2008

The modern classical music listener may never know it, but Beethoven did compose after Haydn and Mozart, and not Wagner and Brahms. Acknowledged as the reformer of the sonata form as used in the symphony, Beethoven did compose two symphonies that, while ground breaking, remained in the established compositional mould of Haydn and Mozart's Classical symphonies.


Beethoven’s Symphony No. 1, Opus 21, was composed between 1799 and 1800 when Beethoven was 29 years old. His deafness had already begun manifesting, as tinnitus, as early as 1796. The composer’s famous Heiligenstadt Testament was not written until October 1802, a document detailing Beethoven’s anguish over his progressive hearing loss.


Oddly, Beethoven’s sunniest symphony, No. 2 in D major, Opus 36, was written during this period. The master’s first two symphonies show a composer paying homage to his predecessors while boldly expanding their musical language. The First and Second Symphonies are light by Beethoven standards, his writing growing darker and more serious from this time on.


The fortune of Beethoven's Symphonies is that they are always in fashion. In the modern vernacular, Beethoven’s Symphonies have never been out of rotation. There are always individual symphonies and full cycles being recorded. We are currently experiencing an embarrassment of riches from the ongoing recording of cycles by two orchestras and conductors, collectively fine Beethoven interpreters. In the recent articles Two Beethoven Fifths and Two Beethoven Thirds we discussed two titans of the Beethoven book. Here, we find where Beethoven came from and divine where he is going.


Osmo Vanska and the Minnesota Orchestra (in the first American cycle in decades) on BIS and Philippe Herreweghe, and the Royal Flemish Philharmonic on Pentatone are approximately two-thirds the way through their respective cycles. These two parties approach Beethoven from qualitatively different, but well-established directions. Hybrid SACD further adds value to these recordings. When starting with music of the quality of the Beethoven Symphony cycle listener is guaranteed nine sublime pieces of music.

Ludwig van Beethoven
Beethoven Symphonies 1 & 6 [Hybrid SACD]
Minnesota Orchestra, Osmo Vanska
BIS
2007

page 1 | 2
Arkansas son C. Michael Bailey has been in hiding since he revealed his family's abolitionist position prior to the War Between the States. He is a Senior Reviewer for All About Jazz and publisher of the webblog Kultur. Michael’s day job is spent as a clinical data analyst. Michael believes but never follows that it it better to be quiet and thought a fool than to open one's mouth and relieve all doubt...
Keep reading for information and comments on this article, and add some feedback of your own!
Music Review: Two Beethoven Firsts
Published: June 25, 2008
Type: Review
Section: Music
Filed Under: Music: Acoustic, Music: Classical, Music: Instrumental, Review
Writer: C. Michael Bailey
C. Michael Bailey's BC Writer page
C. Michael Bailey's personal site
Spread the Word
Like this article?
Email this
Submit to del.icio.us Save to del.icio.us
RSS Feeds
All RSS Feeds (240+)
Comments on this article
BC articles by C. Michael Bailey
Music: Acoustic
Music: Classical
Music: Instrumental
Review
All Music Articles
C. Michael Bailey's personal weblog
All Review articles
All BC articles
All BC Comments

Comments

Want comments emailed to you? No spam, promise! Address:

Add your comment, speak your mind

(Or ping: http://blogcritics.org/mt/tb/78244)

Personal attacks are not allowed. Please read our comment policy.





Remember Name/URL?

Please preview your comment!

Fresh
Articles
Fresh
Comments