REVIEW

Music Review: Feufollet - Cow Island Hop

Written by Richard Marcus
Published June 24, 2008

On December 20th, 1803 the government of Thomas Jefferson agreed to pay Emperor Napoleon Bonaparte $15 million dollars for the Louisiana territory. The Louisiana Purchase, as this transaction came to be called, gave the U.S. control over access to the mouth of the Mississippi River and all the benefits that came with control of and use of that waterway. The transaction was also one of the earliest examples of a real-estate flip in North America, as the French had only just taken over the territory from the Spanish 20 days prior to selling it off to the new American Republic.

Ten years earlier Louisiana had been part of an agreement reached with the Spanish, as Napoleon dreamed of a Western French Empire with Louisiana as its lynchpin. But when the slave revolt in the French colony of Saint-Dominque succeeded in expelling French troops from the Caribbean, he found himself with a swath of territory in the middle of nowhere and no means of defending it. Making the best of a bad deal he unloaded it for cash that he needed for his attempted conquest of Europe.

Thirty or so years earlier, a few thousand miles north and east of Louisiana, repercussions from the American War of Independence were felt in what are now Canada's Maritime Provinces. The British government needed to re-settle troops and civilians who had remained loyal to the Crown in what remained of British North America. Thousands of French speaking Maritime residents were thrown off their land in order to make room for these new arrivals. With no place else to go, a large number of these Acadians headed down to Louisiana - the only non-British controlled, French speaking colony in North America.
Feufollet.jpgLike the majority of French settlers in New France, the Acadians were originally from the Normandy and Brittany areas of France and had brought the cultural traditions unique to those areas with them. When they headed south to Louisiana, their music and unique French dialects came with them. (French Canadian films today are still sub-titled in parts of France as the language spoken in Quebec has remained relatively unchanged and is still a version of a 16th century Normandy dialect) When they arrived in Louisiana they were absorbed into the already existing French community but made enough of an impact that an abbreviated, phonetic, version of their name has become permanently associated with the culture of the region: Cajun.

Today, while the sound is somewhat muted, you can still hear the echoes of those "Cajuns" who came down south looking for a home. Most of the Cajun music these days contains lyrics written in a pastiche of languages that include French, English, and Spanish, while the Celtic sound of Brittany and Normandy has been diluted by the myriad influences to which it has been exposed. So it was quite a surprise to listen to a CD by a group of young Cajun musicians with not only a great many of the lyrics in French, but the music redolent of the reels and jigs of their forefathers.

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Copy02-11-Richard portrait-72-4x4.jpgRichard Marcus is a long-haired Canadian iconoclast who writes reviews and opines on the world as he sees it at Leap In The Dark and Epic India Magazine.
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Music Review: Feufollet - Cow Island Hop
Published: June 24, 2008
Type: Review
Section: Music
Filed Under: Culture: Arts, Music: Acoustic, Music: Country and Americana, Music: Folk, Review
Writer: Richard Marcus
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