OPINION

Street Art, La Gacilly Style

Written by Christopher Kimberley
Published June 05, 2008

Yannick brings over deux grandes crèmes for Dorothy and me. Although it is early June the air is cool as we sit in the shade outside his brasserie, La Merelle. Dorothy warms her hands on the cup as she raises it to her lips. Cup?  More a bowl with a handle. I could beat eggs to make an omelette for half a dozen people in such a cup. Only the top of her head is now visible.

 

“You know about the festival?” Yannick enquires. He has the build of a rugby forward. Not a person you would compare to "white goods" like a footballer, but compact, hard, deceptively slight. His English is good (though not perfect) because he served his time working in a London kitchen.

“Yes, we visited last year,” I reply. He moves discreetly away. After a quiet conversation with Yannick a man settles his bill, climbs into a car, and drives off across the cobbles. I toy with my camera and snap shoot at the passersby. I self-consciously nurse the camera, attempting to shield it from the public gaze.

It isn't that I have any reservations about photographing strangers, or that the streets of La Gacilly don't provide ample picturesque subject matter. It's because I feel unworthy. For the past four years this town has given its walls over to an extraordinary festival of photography. There are plenty of galleries here - for nearly two centuries, this area of Brittany has been popular with both amateur and professional artists - but during the summer months the streets of La Gacilly themselves become the gallery. The warm, ivy-bound stone of the buildings provides subtle hanging spaces for the enormous images.

This year (2008), La Gacilly hosts its 5th Photo Festival, People and Nature. This is a poor translation of the words that mean so much more, Le Festival Photo Peuples & Nature de La Gacilly. Peuple is not just the collective noun for a group of humanity. Rather, it is an assembly that shares a culture or nationality. It has a sense that is primarily tribal.

The festival was created in 2004 by Jacques Rocher, Président International of the Rocher Foundation and son of the founder Yves Rocher. And that is also the key to understanding the relationship between La Gacilly and Yves Rocher. He is a father of the modern community. The sense of paternalism was even greater during Yves Rocher's successive terms as mayor. 

Yves Rocher was born in La Gacilly in 1930. It's really no more than a village; the population of the Commune is a little over 2000. According to Rocher, he was dispirited because the people were leaving the land, lured away by the prosperity of cities such as Nantes and Paris. This movement was well underway by the 1950s. In the early 20th century rural Brittany was impoverished to an extent that is witnessed in developing nations today. Rocher's answer to depopulation and poverty was to develop an herbal pomade in his attic.

page 1 | 2
Keep reading for information and comments on this article, and add some feedback of your own!
Street Art, La Gacilly Style
Published: June 05, 2008
Type: Opinion
Section: Culture
Filed Under: Culture: Arts, Culture: Travel
Writer: Christopher Kimberley
Christopher Kimberley's BC Writer page
Christopher Kimberley's personal site
Spread the Word
Like this article?
Email this
Submit to del.icio.us Save to del.icio.us
RSS Feeds
All RSS Feeds (240+)
Comments on this article
BC articles by Christopher Kimberley
Culture: Arts
Culture: Travel
All Culture Articles
All Opinion articles
All BC articles
All BC Comments

Comments

Want comments emailed to you? No spam, promise! Address:

Add your comment, speak your mind

(Or ping: http://blogcritics.org/mt/tb/77644)

Personal attacks are not allowed. Please read our comment policy.





Remember Name/URL?

Please preview your comment!

Fresh
Articles
Fresh
Comments