TV Review: House - "House's Head"/"Wilson's Heart"
Published May 20, 2008
The heart of "House's Head" is palpable in those crash scenes between House and Amber, between Hugh Laurie and Anne Dudek, especially their hands reaching for each other. I don't mean romance or sexual tension, but a tenderness and concern we have so rarely seen in House's expression, and never in Amber's.
House has reason to reach out to her above the other passengers in danger — he knows her, she's his only friend's girlfriend — and yet he would be the first to point out that it's not a rational action. Would clasping hands accomplish anything? I'm not saying House has fatherly feelings for Amber either (if he did, those sexy dreams in "Wilson's Heart" would cross that ick line even further) but it seems akin to a parent's instinct to reach a frail human arm across their seat-belted child during an abrupt stop in traffic: useless, but instinctual. Rationality only goes so far, even in a man who denies his own emotions as well as the "evolutionary incentive to sacrifice for our offspring, our tribe, our friends — keep them safe" to quote this finale's co-writer Doris Egan's "Son of Coma Guy" episode.
Sharing some imagery with the typical near-death experience, House follows the light to emerge from the tunnel of the bus wreckage before waking to Cuddy – not kissing him, as first appears, but providing mouth-to-mouth resuscitation as Wilson performs CPR, with Cameron crying and others hovering worriedly over his collapsed form until he utters the answer: "Amber."
But House does sacrifice for his friends. Before that realization, Cuddy asks him the question "Why is this so important" and he doesn't have an answer. Maybe he's risking his life to solve the mystery because subconsciously he knows he cares deeply about this one – but it's not Amber he cares so much about, it's Wilson. House risked his life with the deep brain stimulation even though he thought he had all the pieces of memory he needed, simply because Wilson asked him to.
The answer isn't that simple, of course, and House's feelings about himself are mixed in there, too. It takes deep brain stimulation to trigger the final memory that reveals nothing inappropriate happened with Amber – he wasn't more inappropriate than he is with any other attractive woman, that is — except that her life was put in danger because she tried, in Wilson's stead, to ensure House got home safely.
It's a solution that allows us sympathy for House, because he didn't sleep with her, he didn't knowingly endanger her, and yet allows us empathy for Wilson's anger, because he's tried to help House avoid the figurative crash for so long, in so many ways, to no avail. House realizes the weight of his actions in that moment of recall. I never would have believed I'd ever see House apologize and cry, or that if I did, it would be so tremendously affecting instead of tremendously out of character.
- TV Review: House - "House's Head"/"Wilson's Heart"
- Published: May 20, 2008
- Type: Review
- Section: Video
- Filed Under: Video: Drama, Video: Television
- Part of a feature: House
- Writer: Diane Kristine
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Comments
I went for this two-parter hook, line, and sinker. I thought it was extraordinarily well written and executed by the writers, actors, and director(s). Brilliant.
And how 'bout that Fred Durst, getting billed in the credits for his bartender cameo.
Limp Bizkit in da 'House, indeed.
I thought "House's Head" was much better than "Wilson's Heart" for a few reasons: "Wilson's Heart", though extremely well-acted, was sort of corny. Everything played out the way it was expected, except, of course, what happened to Amber. But when 13 ended up having Huntington's? It was so unoriginal. And also, did it look like a new set in some places? One more thing--after the BONES season finale in which a main character got sent to an asylum at the end, "Wilson's Heart" was extremely depressing. However, I thought it was really clever the way they used the vocals to the song "Teardrop," the HOUSE theme, in the middle of the episode.
in my opinion the best house episode yet. It was simply so emotionally touching, especially as it neared the end, and i found myself crying... something i NEVER do for a movie/tv show, and amazing at how powerful this episode really was.
Wow! That was a thorough and engaging recapitulation. So many interesting characters. Thanks for all the effort and attention you've put into this material. It helps to elevate it above the usual TV program.
LOVE this article. Very well written. Yea--I'll admit I cried my eyes out at the end, too. House is a great show. Already counting down the days to Season 5!
Ack, tried to leave a comment yesterday - but it never went through.
Very wonderful job on this Diane. Welcome Back!
Thanks!
Clara, I'd be counting the days too but do we know the premiere date yet? They'd better not make us wait until after baseball.
Elizabeth, I'm not sure how Thirteen having Huntington's is unoriginal, but I hope they deal with the aftermath of what it means to live your life with that knowledge. I haven't seen that in an ongoing role before.
Found this on Housemd-guide.com, don't know if you've seen it yet:
"May 17, 2008: Fox announces schedule change for House next season.: For the first half of the season "House" will be on Tuesday nights in the first hour of primetime 8/7c. Then in January the plan is to move "House" to the first hour of primetime on Wednesdays. Scheduling for January is always very tentative since the network doesn't know which new shows will succeed and which won't."
Also, read somewhere that House might return in August... gotta keep my eyes pealed for more info.
Right after I posted that comment I saw an interview with David Shore saying September 2. (It's a funny interview too.) It's not August but it's early-ish at least.
Thanks for the review, DK. Beautifully written. I so much agree with the love for these two episodes. The first: cerebral, dreamlike, haunted, like House's head, and the second: fierce, confused, torn, broken like Wilson's heart. I join you in trusting the instincts of this stellar creative staff: they keep throwing House into new situations where he is forced to grow, we think, and then he has his own surprising take. The scene where Wilson asks House to have the brain stimulation despite his severe injuries will, I think, have changed how they see each other: it will never be the same.
I loved how the rest of the staff responded to Amber's dying and then, the parallels with House and 13, the one facing a damaged life, the other an early death. And even though he was "barely coherent" from the beginning, he still found time and energy to notice 13's response (or lack thereof) and mentor her by getting her to face it, and then she got him to face his own.
Sept. 2? Looking forward to it. Hope you continue to post about House from time to time: your take adds a lot to the enjoyment of this brave and amazing show.
this was absolutely beautiful. like you, i'm avidly anticipating season 5... why isn't it september yet?
13's first name is Remy.
Yes, as I said, any fan who wants to know her name and can use the Internet already knows. But the first name hasn't been said on the show yet.
What a fantastic review. Thank you for posting that. Your review was so good that I could picture in my mind each part of the episodes you commented on and because your review was so clear and precise, that when you got to the heartbreaking moments of the episodes you made me cry again.
*ahem* Aaaanyway, having watched a few finales that were on offer from some of the other leading shows out there, these two for House were, in my opinion, just exceptional. Far, far, far, far, far, far better than all of them, including the Numb3rs finale, which I thought had a lot going for it as well.
"House's Head" and "Wilson's Heart" contained everything that I enjoy watching in an episode. I don't mean the high-drama and the angst, though, you know, every once in a while it's a wonderful thing, but it was more to do with the fact that both episodes were so character driven.
They were episodes which managed to cater for all of the characters, which is a huuuuge feat all of itself given how many characters House has now.
But what I truly liked about these two episodes was that there were no fancy shots (like one finale I could mention), just a confidence in the acting abilities of the actors involved in conveying the truly heartbreaking scenes at the end. No fancy tricks, just simple settings with a bit of music, and a whole lot of exceptional acting and writing. Wonderful!
The only thing that confuses me is why several people are adamant that Wilson is angry at House. I didn't see that at all. Hmm, maybe I wasn't looking hard enough, or maybe, just maybe that by that point I was sobbing so hard that I just *couldn't* see - chuckle.
Thanks again for such a wonderful review.
Take care
Della
:-)
Thanks so much Della, that's really nice of you to say (and Boffle too - sorry, I missed you last time).
Wilson's emotional reaction is up for interpretation, of course. His anger, if that's what it is, is definitely quiet, and of course combined with grief. The fact that he couldn't talk to or approach House at the end, and that House thinks he has earned Wilson's hatred, makes me think that anger is at least part of it. I guess we'll find out Sept 16 - that's what Fox is saying is the season premiere date.






Part 1 of these episodes was a bit gimmicky. The trailer for part 2 looked even more overwrought and gimmicky... So what a relief to find out that Wilson's Heart was the sort of thing that television does best. It takes years to evolve characters to a point where they are that nuanced and involving. There was one too many sappy-song musical montages - one of the first two should have been re-thought. But overall, was an incredible season finale.