TV Review: House - "House's Head"/"Wilson's Heart"
Published May 20, 2008
Why he was on a bus is a mystery that's cleared up quickly: "I used to drive home after getting drunk but some mothers got mad-d." (i.e., MADD – boy, writing that joke down ruins it, doesn't it?) However, a few alternate explanations cast doubt on whether that's the whole truth.
He's less concerned with his own health than with the belief that he saw a deadly symptom in someone prior to the crash, and must now find and save that unknown person with the unknown ailment. Since House conflates hunch and absolute certainty about three times in an average episode, his team and therefore the audience can't be sure if he's remembering or hallucinating that detail in the far-above-average "House's Head." Kutner is the only one to have faith in him – or to humour him – with a flash of his former unconventional problem-solving skills. This time, no setting fire to a patient or dosing them with tequila, but he does suggest hypnosis.
We journey into the mind of House — unsurprisingly populated with scantily clad women, copious amounts of alcohol, and a limp-free stride — via his own efforts to dig around his injured brain. He tries to access his forgotten memories through hypnosis, smell (the most powerful "evokerator"), sensory deprivation, and a re-creation of the crash, fueled by too much Vicodin and Alzheimer's drugs, as House risks his life to save this hypothetical patient.
Because he always needs people to bounce ideas off of and theories to ridicule, his hallucinations and fantasies provide those in the guise of the bus driver, a smoking-hot-even-to-a-straight-girl stripper version of Cuddy (until: "You'd rather fantasize about finding symptoms. How screwed up is that?"), and a Mystery Woman who represents the answer that's nagging at his subconscious (Ivana Milicevic of the late, lamented Love Monkey).
I'd seen the Jesse Spencer interview where he compared the finale to "Three Stories" (Spencer obviously doesn't believe, as I do, in the credo of lowered expectations). I wouldn't make that comparison myself. I think the season two finale, "No Reason," is its closest sibling. Though "No Reason" was a more fundamental examination of House's personal philosophy, it too used characters representing House's subconscious reasoning with itself.
But in a way I'm glad I heard the "Three Stories" comment, because it completely misdirected my expectations of where the story was going just as much as the details of the story did. I stay away from major spoilers and don't generally love speculation (though "House's Head" made it impossible not to indulge). So I have developed this characteristic when watching television and movies or reading books that makes me ... what's the word? Stupid. Or the more generous interpretation is that I have cultivated the art of shutting off my brain's attempts to predict what's going to come next, because I don't want to know until the writers choose to reveal it to me.
- TV Review: House - "House's Head"/"Wilson's Heart"
- Published: May 20, 2008
- Type: Review
- Section: Video
- Filed Under: Video: Drama, Video: Television
- Part of a feature: House
- Writer: Diane Kristine
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Comments
I went for this two-parter hook, line, and sinker. I thought it was extraordinarily well written and executed by the writers, actors, and director(s). Brilliant.
And how 'bout that Fred Durst, getting billed in the credits for his bartender cameo.
Limp Bizkit in da 'House, indeed.
I thought "House's Head" was much better than "Wilson's Heart" for a few reasons: "Wilson's Heart", though extremely well-acted, was sort of corny. Everything played out the way it was expected, except, of course, what happened to Amber. But when 13 ended up having Huntington's? It was so unoriginal. And also, did it look like a new set in some places? One more thing--after the BONES season finale in which a main character got sent to an asylum at the end, "Wilson's Heart" was extremely depressing. However, I thought it was really clever the way they used the vocals to the song "Teardrop," the HOUSE theme, in the middle of the episode.
in my opinion the best house episode yet. It was simply so emotionally touching, especially as it neared the end, and i found myself crying... something i NEVER do for a movie/tv show, and amazing at how powerful this episode really was.
Wow! That was a thorough and engaging recapitulation. So many interesting characters. Thanks for all the effort and attention you've put into this material. It helps to elevate it above the usual TV program.
LOVE this article. Very well written. Yea--I'll admit I cried my eyes out at the end, too. House is a great show. Already counting down the days to Season 5!
Ack, tried to leave a comment yesterday - but it never went through.
Very wonderful job on this Diane. Welcome Back!
Thanks!
Clara, I'd be counting the days too but do we know the premiere date yet? They'd better not make us wait until after baseball.
Elizabeth, I'm not sure how Thirteen having Huntington's is unoriginal, but I hope they deal with the aftermath of what it means to live your life with that knowledge. I haven't seen that in an ongoing role before.
Found this on Housemd-guide.com, don't know if you've seen it yet:
"May 17, 2008: Fox announces schedule change for House next season.: For the first half of the season "House" will be on Tuesday nights in the first hour of primetime 8/7c. Then in January the plan is to move "House" to the first hour of primetime on Wednesdays. Scheduling for January is always very tentative since the network doesn't know which new shows will succeed and which won't."
Also, read somewhere that House might return in August... gotta keep my eyes pealed for more info.
Right after I posted that comment I saw an interview with David Shore saying September 2. (It's a funny interview too.) It's not August but it's early-ish at least.
Thanks for the review, DK. Beautifully written. I so much agree with the love for these two episodes. The first: cerebral, dreamlike, haunted, like House's head, and the second: fierce, confused, torn, broken like Wilson's heart. I join you in trusting the instincts of this stellar creative staff: they keep throwing House into new situations where he is forced to grow, we think, and then he has his own surprising take. The scene where Wilson asks House to have the brain stimulation despite his severe injuries will, I think, have changed how they see each other: it will never be the same.
I loved how the rest of the staff responded to Amber's dying and then, the parallels with House and 13, the one facing a damaged life, the other an early death. And even though he was "barely coherent" from the beginning, he still found time and energy to notice 13's response (or lack thereof) and mentor her by getting her to face it, and then she got him to face his own.
Sept. 2? Looking forward to it. Hope you continue to post about House from time to time: your take adds a lot to the enjoyment of this brave and amazing show.
this was absolutely beautiful. like you, i'm avidly anticipating season 5... why isn't it september yet?
13's first name is Remy.
Yes, as I said, any fan who wants to know her name and can use the Internet already knows. But the first name hasn't been said on the show yet.
What a fantastic review. Thank you for posting that. Your review was so good that I could picture in my mind each part of the episodes you commented on and because your review was so clear and precise, that when you got to the heartbreaking moments of the episodes you made me cry again.
*ahem* Aaaanyway, having watched a few finales that were on offer from some of the other leading shows out there, these two for House were, in my opinion, just exceptional. Far, far, far, far, far, far better than all of them, including the Numb3rs finale, which I thought had a lot going for it as well.
"House's Head" and "Wilson's Heart" contained everything that I enjoy watching in an episode. I don't mean the high-drama and the angst, though, you know, every once in a while it's a wonderful thing, but it was more to do with the fact that both episodes were so character driven.
They were episodes which managed to cater for all of the characters, which is a huuuuge feat all of itself given how many characters House has now.
But what I truly liked about these two episodes was that there were no fancy shots (like one finale I could mention), just a confidence in the acting abilities of the actors involved in conveying the truly heartbreaking scenes at the end. No fancy tricks, just simple settings with a bit of music, and a whole lot of exceptional acting and writing. Wonderful!
The only thing that confuses me is why several people are adamant that Wilson is angry at House. I didn't see that at all. Hmm, maybe I wasn't looking hard enough, or maybe, just maybe that by that point I was sobbing so hard that I just *couldn't* see - chuckle.
Thanks again for such a wonderful review.
Take care
Della
:-)
Thanks so much Della, that's really nice of you to say (and Boffle too - sorry, I missed you last time).
Wilson's emotional reaction is up for interpretation, of course. His anger, if that's what it is, is definitely quiet, and of course combined with grief. The fact that he couldn't talk to or approach House at the end, and that House thinks he has earned Wilson's hatred, makes me think that anger is at least part of it. I guess we'll find out Sept 16 - that's what Fox is saying is the season premiere date.






Part 1 of these episodes was a bit gimmicky. The trailer for part 2 looked even more overwrought and gimmicky... So what a relief to find out that Wilson's Heart was the sort of thing that television does best. It takes years to evolve characters to a point where they are that nuanced and involving. There was one too many sappy-song musical montages - one of the first two should have been re-thought. But overall, was an incredible season finale.