OPINION

The Last Temptation of Christ and the Human Perspective of Christ

Written by Michael Clayton
Published April 24, 2008
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Many cinematic portrayals of Jesus make it difficult to remember that he was tempted by the same sins that all men face. Scorsese succeeds in presenting Jesus as a man who constantly faced the temptation to turn away from his purpose as the Messiah, but ultimately never rejected it. It is hard for many people to believe that Jesus would have any longing to marry and produce children rather than be the savior of mankind; but in many ways, doesn't this make his sacrifice more meaningful and beautiful? I for one prefer the idea that Christ was tempted to forsake his purpose and live as one of us, with a normal domestic life, a normal occupation, and a normal family life. For me, it makes his sacrifice even more meaningful, for not only did he sacrifice his life, but he sacrificed the joys of a normal human existence as well.

Another element of the film that prompted much contempt was the portrayal of Judas as a more honorable character in the film. I will confess, this is a hard concept to come to terms with, but it also presents an interesting argument as well. If Jesus was meant and destined to perish on the Cross for our sins, was Judas not in some way an integral part in our ultimate salvation? If Judas did not betray Christ, would Christ have died for our sins? Or would we as people still be nothing more than filthy rags in the eyes of God, still unclean with sin that was never forgiven? And if God is indeed an omniscient, omnipotent entity, would that not suggest that it was already known and decided upon that Judas would be the catalyst to the Passion?

Overall, I believe Scorsese was attempting to create a film that sought to help us better understand the challenges that Jesus faced by making him a more human figure than any other film had attempted before or since. In doing so, he perhaps made one of the most accessible and fascinating portrayals of Christ that has ever been committed to film. The actors in the film do not speak in the cadence of the King James Bible, but instead speak in a modern style, which makes it much easier to relate to them, which only adds to the appeal. Many have argued that the film is wildly inaccurate, and provides a poor representation of the actual crucifixion. Those who make such decrees are missing the point of a film such as this; it is not meant to present a documented account of what actually occurred, but instead is attempting to present new ideas and concepts concerning a very familiar event in our history. If that was Scorsese's ultimate goal with this film (and I believe it was), he succeeded on a monumental level.

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Michael Clayton (no relation to the George Clooney film) has fed his obsession for films of all styles and genres since the first time he ever occupied a movie theater. His tastes include such cinematic greats as Kubrick, Scorsese, Hitchcock, Ford, Lang, and Kurosawa, and more recent talents such as Kevin Smith, Darren Aronofsky, Charlie Kaufman, and the collected releases of Pixar. He graduated with an English/Theatre degree from Charleston Southern University, and his collected writings can be viewed at The Critical Musings of Michael Clayton.
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The Last Temptation of Christ and the Human Perspective of Christ
Published: April 24, 2008
Type: Opinion
Section: Video
Filed Under: Video: Drama, Video: Art House, Culture: Religion, Video: Historical
Writer: Michael Clayton
Michael Clayton's BC Writer page
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Comments

#1 — April 24, 2008 @ 18:42PM — El Bicho [URL]

Very good analysis.

I was surprised more people didn't see the humanizing of Christ in the story wasn't heresy, but elevated the meaning of his sacrifice and acceptance.

Same goes for Judas. In a sense, he is a hero of the story in the larger context because he sacrificed as well, cursed to be thought of as a villain throughout history, and either committed suicide, burst asunder, or was stoned by his fellow Apostles depending on who's telling the story.

#2 — April 24, 2008 @ 19:07PM — Jordan Richardson [URL]

El Bicho, things have changed with time. While that point of view is still prevelant in some groups, the mainline Christian position on the film has evolved beyond a point of acceptance. Many groups now use Scorsese's film as a teaching aid. Go figure.

#3 — April 24, 2008 @ 20:07PM — Tony Dayoub [URL]

Mr. Clayton,

Your analysis is thoughtful, and I enjoyed the way you presented it.

A word of warning, though. Be careful using Wikipedia as a citation in an article. While I admit to using it myself for cursory research and insights, it is very unreliable. Better to track back to any sources used to write the Wikipedia article since those are more likely corroborated journalistic sources. I've had wikipedia bite me in the ass when I wasn't looking.

All of this is IMHO, of course.

#4 — April 24, 2008 @ 20:18PM — Michael Clayton [URL]

Thanks for the warm reception; as for the Wikipedia entry, I sincerely don't recall using Wikipedia as a citation, and I am wondering if it was included as an afterthought. With that said, always good to take some advice from seasoned writers on Blogcritics, and I absolutely welcome that.

#5 — April 25, 2008 @ 19:47PM — Lee Richards

This is a well-made and moving film which was widely condemned by some fundamentalists who never saw it, but can't bear to let their god out of the small box they have constucted for him.

It is reverent and thought-provoking, and based on a novel, NOT the Gospels--a fact that its harshest critics ignored.

It's an inspired sermon on film, about the mixture of "holy" spirit and human weakness we all carry inside and often struggle to reconcile.

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