Retro Redux: Confessions Of A Multiple-Music Addict
Published April 11, 2008
Earl Hines was one best jazz pianists of all time, and was enormously influential for many who came along later, including Nat Cole and even Art Tatum. He built his reputation as a soloist early in the jazz age, and in 1928 debuted his own big band. For the next two decades it was one of the most successful - and respected - groups around, and helped further the careers of many of the greats. He even helped give a start to the bebop movement by employing Charlie Parker and Dizzy Gillispie in the early years of their careers.
In the early 1940s, singer Billy Eckstine joined the band and was a big hit for several years, but eventually moved on. By the late 1940s the big bands were finding it difficult to survive and Hines dissolved the group, later joining Louis Armstrong and others in various ensembles. He also led his own smaller groups and continued to be a much-admired jazz legend for decades, performing regularly until his death at age 79.
Although I only have one tune by Hines, my other multiples are numerous and they cross genre boundaries too. For example, Latin jazz is well-represented — I have five versions of "Besame Mucho", six of "Wave," and seven of "Brazil." But my number one multiple is Ellington's immortal composition, "In A Sentimental Mood," which shows up ten times in my collection — and I want more. I guess I've become a multiple-music addict.
- Retro Redux: Confessions Of A Multiple-Music Addict
- Published: April 11, 2008
- Type: Opinion
- Section: Music
- Filed Under: Music: Instrumental, Culture: Humor and Satire, Music: Jazz
- Part of a feature: Retro Redux
- Writer: Big Geez
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The Big Geez is a retiree who takes time off from trimming ear hair to write about music -- sometimes doing conventional reviews, but often just sharing his opinions about how something resonates with his memories and those of his generation. You can read more of his faux pearls of wisdom at the 



