OPINION

House, MD: Revisiting the "Tritter Arc"

Written by Barbara Barnett
Published April 10, 2008

Last Monday, FOX began re-airing the third season series of episodes known in the House fandom as "The Tritter Arc." Like most of the series' extended character arcs, fans tended to love it or hate it. Personally, I like these longer stories because they give viewers an opportunity to see more deeply into the character(s) — and to watch Hugh Laurie magically pull new rabbits from his considerable thespian hat.

That FOX has decided to re-air this third season arc now, just before new episodes begin is unfortunate only because it will end abruptly without closure to make way for the brand new episodes (unless FOX decides to add extra House reruns to its April schedule). I'm all for the new episodes and cannot wait for the final four installments of the current season. But newcomers to the series will not have had the opportunity to see the Tritter arc play out. Of course, all of you "newbies" can buy the DVD or download the remaining Tritter episodes from Amazon Unbox, so it's not a total loss.

In any event, I'd like to give my take on the first two episodes of the Tritter Arc. The story begins with episode five, "Fools for Love." As House covers his dreaded clinic duty, he walks into an exam room to treat the next patient, Detective Michael Tritter.

House observes Tritter, already in a foul mood from waiting two hours to be seen, who believes he has a sexually transmitted disease (STD). House notes that the rash doesn't present like an STD, and I'm pretty sure that House knows an STD when he sees one. He also observes that Tritter is chewing nicotine gum, which evidently causes skin dryness. The location of the irritation suggests a diagnosis and course of treatment, which House offers with his usual cold bluntness. House's demeanor and attitude are, needless to say, neither compassionate nor kindly, but nothing in his behavior or words warrant what Tritter does next. For, as House reaches the door on his way out of the exam room, Tritter kicks his cane, sending him reeling into the closed door as he tries to catch his balance.

"Patients don't want a sick doctor," House tells Wilson in one of the first scenes of season one, revealing how he believes patients view him. From the very first episode of the first season, it is clear that House's self-image is very much tied up with the condition of his leg, his limp, and need for a cane. He does everything he can to hide his disability, from pushing himself to walk faster than anyone else to refusing to ever discuss his physical problems with anyone.

The degree to which House tries to minimize his leg is obvious when when we see him alone in his apartment. His gait is slower and his limp more exaggerated away from the potentially pitying eyes at the hospital. And, being tripped, intentionally and smugly as Tritter does, must be particularly humiliating to House in the aftermath of the returning pain, and in the aftermath of the shooting.

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Barbara Barnett grew up on politics and pop culture. Her professional life has been ecclectic and eccentric, having acquired university degrees in biology, Political Science and Public Policy. Her real passions are writing, music, reading sad novels and spy novels, and discussing House MD, and its star Hugh Laurie.
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House, MD: Revisiting the "Tritter Arc"
Published: April 10, 2008
Type: Opinion
Section: Video
Filed Under: Video: Television, Video: Drama
Part of a feature: Welcome to the End of the Thought Process: House MD
Writer: Barbara Barnett
Barbara Barnett's BC Writer page
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#1 — April 10, 2008 @ 12:51PM — Phillip Winn [URL]

The Tritter arc is what finally separate my wife and I in our opinions of the show. I loved it, seeing Tritter as the first worthy opponent for House, the first arch-nemesis who actually had the power and the don't-give-a-crap to destroy House. My wife hates it, apparently because she saw the same thing!

#2 — April 10, 2008 @ 16:12PM — Barbara Barnett [URL]

I agree with you Phillip that Vogler pales in comparison to Tritter for pure menace. He got to House where it affects him the most: his pain and his meds. I think David Morse's quiet menace was effective.

Some people seemed not to like the arc because they thought the legal stuff was not believable. Not being a lawyer, I didn't care one way or the other. I was mesmerized watching House's slow spiral--then swandive into his own personal hell.

#3 — April 12, 2008 @ 12:55PM — Ann [URL]

Barbara, I liked the Tritter arc for what we learned about House. These are some of the most gut wrenching episodes. The episodes full of angst are my favorites to watch. I have one trivial question to ask. Since House only has one "friend", who do you suppose called him on his cell to tell him his apartment was being searched?? As always, I enjoyed your review.

#4 — April 12, 2008 @ 23:54PM — Barbara Barnett [URL]

Thanks, Ann.
Like you, I love the angst-filled "serious" episodes. Makes sense, since I watch House for the character's story and journey, and since House uses humor to hide, the "lighter, funnier" episodes tend not to be as revelatory (although enjoyable nonetheless).

I think it might have been his landlord...maybe a neighbor who tipped him off. Could even be his cleaning service (which he has to have--his flat is pretty neat for all those books, and House is neither physically capable of that much housecleaning, nor would I think he's "neatly" inclined.

So, that's my take. Who do you think it was?

#5 — April 14, 2008 @ 05:03AM — ann uk [URL]

dear Babara, thanks for the analysis of the Tritter arc. It is sometime since I watched season 3, but as I remember it was powerful stuff and I recall how shocked I was when Wilson walked away, leaving the unconscious House to live or die.I think I was disappointed in the end of the arc. Neither Wilson nor Cuddy recognised that their amateur psychologising and manipulation had done House serious harm, both practically and emotionally, as they do in your fanfiction( which I have only just discovered).
This means that the House/Wilson/Cuddy love ,hate relationship has not moved on or changed and I think it needs to.
I lok forward to your surprise, I suppose you couldn't grant my two top wishes 1) a film of The Gun Seller, directed by Bryan Singer with HL as Thomas Lang 2) for HL to finish Paper Soldier before I expire from impatience.?

#6 — April 14, 2008 @ 07:53AM — Barbara Barnett [URL]

Ann--There's a scene in Merry Little Christmas that pretty much sums up the isolation House feels--backed into a corner, alone and with no one really understanding him. House makes a phone call to his mother. It's not Wilson; not Cuddy or anyone else. He needs to hear his mother's voice--maybe to even say "goodbye". It's a powerful scene. Probably the most powerful scene of the entire arc (if not the series). Hugh's voice alone tells the amount of emotional pain House must be in at that low point. It's almost voyeuristic to watch, but impossible to drag away you eyes.

I will reveal the surprise in my next column (later this week)--it has to do with season finale, sort of--no spoilers though.

#7 — April 14, 2008 @ 20:22PM — Ann [URL]

Who do I think it was? For a long time I thought it was Chase. House sent him away and he was MIA. I was waiting for a reveal as the arc continued, but it never materialized. You're probably right about a neighbor or his landlord. I just thought he sounded like he was speaking to someone he was really familiar with. I don't read too much into things, HA!! I agree whole heartedly about House's phone call to his mother being one of the most powerful of the series. I can't wait for your surprise! Either of ann uk's two wishes would work nicely for me, too!

#8 — April 15, 2008 @ 14:54PM — Mary

When I was first watching this arc on DVD, one thing I noticed was that Tritter seems to be even more socially isolated than House himself. We never see him interacting with any colleagues, except for the ones who help him go through House's belongings to collect all those Vicodin. Even after House's near-death experience, when he goes to turn himself in and take the deal, Tritter is sitting alone in his office...on Christmas Eve.

The quiet menance which David Morse brought to his performance was memorable (and, according to an article a few weeks ago in the N.Y. "Times," apparently Mr. Morse, like Chi McBride, is still getting dark looks from "House M.D." fans who don't like what "he" did to our beloved Greg.) But overall Tritter did not strike me as being as much interested in justice for the individual as obsessed with getting personal revenge.

#9 — April 15, 2008 @ 15:08PM — Barbara Barnett [URL]

I agree with you, Mary about Morse's menace. It's strange watching him now as George Washington in the John Adams series, which is currently airing on HBO.

Check back later today, by the way, for a little bit of House news.

He was even more isolated, obsessed--and clearly not interested in justice. One has to wonder who it was in Tritter's life whose life was ruined or ended by drug abuse. Maybe a doctor was the cause

#10 — May 4, 2008 @ 21:45PM — Clarice

Barbara, you focused in with laser-like precision on my favorite scene in all four seasons of House: the Christmas phone call from House to his mother. If I had a wish it would be another visit by House's parents. I played the cafeteria conversation over-and-over again on DVD. I find House's silence in face of his father's comments (seemingly in deference to his mom)very revealing. I would love for them to visit again.

An excellent review of the Tritter arc. Tritter does appear more socially isolated that House. One reason may be that, for all his sarcasm, House really seems to like interacting with a number of people and a number of people care about him.

#11 — May 4, 2008 @ 21:59PM — Barbara Barnett [URL]

Thanks Clarice. That phone call scene is one of the most achingly painful scenes to witness in the entire series. This is House with his entire support system cut off. It's brilliantly acted, with barely a word of dialogue.

Looking forward to the two part finale, which promises to perhaps give us more very memorable scenes.

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