Charlton Heston: Sci-Fi Icon
Published April 08, 2008
Soylent Green was another, more respected, sci-fi film that also benefited greatly by Heston's presence. In this crime thriller Heston, set in a bleak future, utters one of the most famous lines in all of sci-fi filmdom. And since it's also one of the biggest spoilers in all of filmdom, we won't play that clip here, out of respect for the line. Soylent Green was also significant, film-historically, as the last film appearance by Edward G. Robinson, himself a legend.
In this scene, in a bit of well-crafted cinematic suspense spinning, Robinson imparts, out of earshot, the secret of the green soylent to Heston, which propels him through the rest of the film. It's an affecting scene, memorable for its imagery (both visual and aural) and for its emotion. Robinson was sick with the real-life affliction that would kill him. Pop culture-wise the poignancy of that moment will not be matched again until decades later, when Warren Zevon says good-bye to us on Letterman.
Lastly, there's also the potentially laughable-but-for-Heston, Planet of the Apes.
This was the earliest of his sci-fi trilogy and with the funny ape makeup could easily have been a disaster if anyone but Heston played Taylor, the stranded astronaut. Pity poor Roddy McDowell and Kim Hunter for having to undergo hours of make-up application as apes, but fer-cryin'-out-loud their mouths barely move. No matter, the gripping story, partly penned by master Rod Serling, and Heston came to the rescue.
In this clip, Heston himself discusses the inside-baseball of Planet of the Apes and how it came to be, with Greg Kinnear:
We've seen commentary in the past that treated Heston's sci-fi work as perhaps desperate career-salvaging hackery, a time-serving bridge until Hollywood could get to its attempt to revive itself via disaster films like Earthquake (in Sensaround!) and monster-budget war stories like Midway, where a whole lot of acting was not required.
It was anything but. Charlton Heston worked hard at his art, bringing stories to the screen and bringing his unique persona to them. Of this, the interview above hints, he was aware. And if you look at his IMDb entry, you'll see he worked right up to a few years ago.
- Charlton Heston: Sci-Fi Icon
- Published: April 08, 2008
- Type: Opinion
- Section: Video
- Filed Under: Video: SF, Culture: Celebrity
- Writer: Bill Shears
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- Bill Shears's personal site
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Comments
"Apes" was potentially laughable because no one had done anything like it before on the sort of budget that Fox threw at it. Virtually all science fiction movies up to this point were low budget and lower stories.
Heston wasn't the greatest actor in the world and he knew it. What he lacked in technique he made up for with tremendous screen presence and charisma.
He had a sort of portentous air about him, which is why he was such a success in things like The Ten Commandments and Ben Hur, and was perfect for a project like Planet of the Apes. No-one could have delivered the punch of that ending quite the way he did.
Heston had a golden career. He was recognized as a good actor as early as his high school years in Chicago and won a full acting scholarship to Northwestern, an unusual honor in those days. The first movie he appeared in was "In The Hall Of The Mountain King" based on Griegs "Peer Gynt". I believe it was filmed at Northwestern and it had unusual qualities in terms of the audio and/or color. It was quite good and I'd like to reprise it but haven't been able to find the film. I saw it several years ago, by happenstance, on CAS and was impressed. Think it was made in 1939.
Heston was a fair actor and a terrific over-actor.
Now, at last, his political enemies can separate him from his gun.
Oh, and Vincent Price beat both Heston and Smith to the punch with "The Last Man On earth".
Yup. You know that damn dirty apes are putting their hands on things that they wouldn't have dared to a week ago. Heston will be missed.




Very nice write-up about a segment of Heston's career. Although I don't see why "Apes" is potentially laughable and don't see how Heston kept it from being such. My all-time favorite Heston role is as The Player King in Brangh's "Hamlet."