INTERVIEW

An Interview with Stop-Loss Director Kimberly Peirce

Written by Diana Saenger
Published March 27, 2008

It's been nearly nine years since Kimberly Peirce directed, produced, and wrote Boys Don't Cry, a story about a transgender boy brutally raped and murdered. The movie, which Peirce began as a short film while attending Columbia University to earn her M.F.A. in film, garnered many awards and praise both nationally and internationally.

Her new movie, Stop-Loss, written by Peirce and Mark Richard, is a drama about soldiers expecting to get out of the service only to find their contracts have been extended. Originally thought of as a drama, it turned into more of a war picture after Peirce's 18-year-old brother enlisted in the Army in response to 9/11. After he returned home with videos — made by the soldiers-- of fighting, raids, and riding around in Humvees, Peirce thought of doing a documentary.

"I was wondering what kind of emotional toll this was taking on the soldiers and their families," she said. "So I began to interview soldiers and found some interesting responses. When a Harper's magazine article, "AWOL in America", came out, I searched out those solders."

Surprisingly, the men were willing to talk.

"They were willing to talk but they weren’t being quoted directly and they weren’t on screen," said Peirce. "I tracked down and talked to the ones in America and then Canada. They were easier to talk to because they had gone on the Internet and made their story public already."

The more stories she heard, the more Peirce realized this could become the kind of feature she wanted to make.

"The last thing I wanted to do is have access to a Hollywood-looking actor and do a Hollywood shooting. I didn’t want to make a movie where you sit down and go, 'oh it's a movie star.' What I wanted to do is bring you deeply inside the experience of these soldiers, and I think this is the most cathartic way to deal with their experiences."
One surprising thing Peirce heard again and again was about the men going through stop-loss.

"The procedure has been on the books since Vietnam, but they started using it in 2002. More than 80,000 soldiers have experienced stop-loss. This is a movie about a few soldiers coming home to a heroes' welcome, only they don't feel like heroes."

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Diana Saenger is an Award-winning syndicated entertainment journalist operating two of her own websites, Review Express and Classic Movie Guide, in addition to contributing to several others and writing for six San Diego newspapers. She is also an author (Everyone Wants My Job: the ABC's of Entertainment Writing, and The Vietnam War: Life As A POW), editor and publicist.
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An Interview with Stop-Loss Director Kimberly Peirce
Published: March 27, 2008
Type: Interview
Section: Video
Writer: Diana Saenger
Diana Saenger's BC Writer page
Diana Saenger's personal site
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