REVIEW

Music Review: Harry Manx - Live At The Glenn Gould Studio

Written by Richard Marcus
Published March 16, 2008
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In other words, it's the perfect atmosphere for creating a live recording of the type of music that Harry Manx performs. For those who aren't familiar with Harry's music the best way to describe it is as a mixture of traditional Delta Blues and classical Indian Ragas. He studied classical Indian music with Vishwa Mohan Bhatt during the twelve years that he lived in India, and on the completion of his studies was presented with one of the special twenty string guitar/sitar hybrids called a mohan veena, that Bhatt had built. So now, when Harry plays the Blues, he uses an instrument that allows him to combine the qualities of the two vastly different musics to create one unique sound.

If one were to think of blues in terms of the earth and Indian music as air, in Harry's music you find the meeting place between the two elements. It doesn't sound like it should work. In fact, it sounds like the worst sort of New Age nonsense when you only read about it, but listening to how he manages to get the two sounds working together you can't help but feel he's created something special. Live At The Glen Gould Studio has some wonderful examples of just how effective this synthesis of his can be.

For this concert he was joined by musicians representative of both sides of his musical make-up, with classical Indian vocalist Samidha Joglekar and tabla player Ravi Naimpally representing the East, and Steve Marriner on harmonica, Kevin Brett on guitar, and George Koller on bass from the West. With Harry as the meeting place for the two styles and the impetus propelling the performance, both sounds are constantly working with, and feeding off, each other.

For the listener the effect is akin to at one moment listening to music that is trance inducing, and then the following moment music that makes you want to get up and dance. While that may sound like you're going to be pulled in opposite directions, Harry and his fellow musicians are able to strike this amazing balance whereby the two work in harmony. Instead of being carried away by the trance like qualities of the Indian music, you are carried into a deeper appreciation of the blues by the way they are blended together.

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Copy02-11-Richard portrait-72-4x4.jpgRichard Marcus is a long-haired Canadian iconoclast who writes reviews and opines on the world as he sees it at Leap In The Dark and Epic India Magazine.
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Music Review: Harry Manx - Live At The Glenn Gould Studio
Published: March 16, 2008
Type: Review
Section: Music
Filed Under: Music: Acoustic, Music: Ambient, Music: Blues, Music: International/World, Review
Writer: Richard Marcus
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