REVIEW

Music Review: Jackson Browne - Solo Acoustic, Vol.2

Written by Donald Gibson
Published March 13, 2008

If you’ve taken in one of Jackson Browne’s solo acoustic performances, you’re well aware of the distinct pleasure of that experience. A visceral energy fills the concert hall – an altogether different vibe than that of a show with a full band – where the audience is collectively invested and steeped in each song.

In 2005, Browne released Solo Acoustic, Vol. 1, which brilliantly showcased classics like “Fountain of Sorrow,” “Your Bright Baby Blues,” and “For A Dancer” in the context of these unique events. And now, the legendary singer/songwriter delivers an equally spectacular set of hits and album cuts on Solo Acoustic, Vol. 2.

The live and acoustic setting certainly reflects an intimate feel, yet the warm rapport between artist and audience comes across all the more. Browne’s gracious and often-amusing interaction with the crowd is included between some tracks, adding spontaneity and perspective to songs. Further, he doesn’t rely on a setlist, instead playing what he prefers or – more often than not – taking requests. “Oh, you want to hear that?” he asks before settling into “Somebody’s Baby” on the piano. Sometimes a request is more obscure, like one for “Redneck Friend,” but he obliges with a potent performance.

Alternating between piano and several acoustic guitars, Browne offers absorbing and soulful renditions of some of his finest compositions. On “Sky Blue and Black,” he immerses himself in the song’s sweeping melody, his voice rich with compassion. He plays “Alive In the World” and “In the Shape of a Heart” with similar conviction and conscience, painting both songs with fresh perception.

Four of the twelve tracks originated on Browne’s most recent studio release, The Naked Ride Home. Considering the breadth of his back catalog, that’s a large portion to pull from one album – especially one not considered among his seminal works – but the songs hold up surprisingly well. “The Night Inside Me” and “My Stunning Mystery Companion,” in particular, sound as relevant and touching as almost anything else on this collection.

While Solo Acoustic, Vol. 2 serves as the logical complement to its predecessor, it firmly stands on its own as an outstanding live album. Jackson Browne represents a masterful songwriter delivering one great song after another. Few do it this well and with this much integrity.

A graduate of the University of South Florida with a B.A. in English, Donald Gibson writes about music as well as on film, books, and various pop culture topics.

He is a regular contributor to Blogcritics Magazine and he publishes his own website.

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Music Review: Jackson Browne - Solo Acoustic, Vol.2
Published: March 13, 2008
Type: Review
Section: Music
Filed Under: Review, Music: Live Concerts, Music: Classic Rock and Oldies, Music: Acoustic
Writer: Donald Gibson
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Comments

#1 — March 15, 2008 @ 13:51PM — Connie Phillips [URL]

Congrats! This article has been forwarded to the Advance.net websites and Boston.com.

#2 — March 15, 2008 @ 15:49PM — Donald Gibson [URL]

Thank you very much, Connie.

Donald

#3 — March 26, 2008 @ 17:13PM — Chuck [URL]

Hi Donald,

I enjoyed the review. Thanks! I'm looking forward to seeing Jackson Browne in Mesa in April. Also, looking forward to picking up the CD. He is truly one of the great songwriters of his generation.

#4 — March 26, 2008 @ 18:11PM — Ginger Haycox [URL]

Great review & so completely accurate. I got the cd on pre-order & just continue to like it better with each listen.

I can no longer keep track of how many Jackson Browne concerts I've attended - more than 15. He still ranks as one of my favorite entertainers today. Some years ago now, he had a solo acoustic concert in Canandaigua NY & of all his concerts, that one still stands out, purely because of his rapport with the audience that night. He had just learned that a good friend of his attending the concert had lost his father. The friend requested that Jackson sing For A Dancer which of course, he did.

Sitting at the piano, he got thru' the first verse but when he began the second -
"I don't know what happens when people die
Can't seem to grasp it as hard as I try,
It's like a song I can hear playing right in my ear,
That I can't sing",

he couldn't continue. He sat for a moment playing the melody on the piano & then said simply "Shit! I forgot the words". The audience took over from there.
It still makes me tear up to this day.
He's one of the best lyricists of our time, imo.

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