REVIEW

Theatre Review (LA): Henry IV Part One by William Shakespeare at A Noise Within

Written by Robert Machray
Published March 10, 2008
Part of StageMage

Henry IV Part One is my favorite Shakespeare play but a bitch to produce. For one thing, there is all that history, which Elizabethans would have known but with which modern audiences are much less familiar. Add to that all those fight scenes, and you have a lot to deal with besides the text and scene work. Orson Welles’ greatest movie, Chimes At Midnight, is a masterful retelling of Henry IV Parts One and Two plus a little of The Merry Wives of Windsor. His purpose was to focus on the story of Falstaff, Shakespeare’s greatest creation.

I have seen some six or eight productions of Henry IV Part One and been a part of two myself. I feel I know this play. The problem with the current production at A Noise Within is that the director also plays Falstaff. This isn’t a movie, where you can shoot a scene over and over until you get it right. For a director to take on dealing with all that history, as well as those fights (well choreographed by Kenneth R. Merckx, who also plays The Douglas), while also playing the lead, takes a lot of chutzpah. The result here is that the play often seems a collection of speeches tied together at a fairly swift pace. I am sure with time the actors will do what actors do and gradually fill the characters, talk instead of speechify, and play the scenes. For now, certain scenes just lie there waiting to be explored rather than just “acted.”

Geoff Elliot (the director and Falstaff) has some wonderful moments, carefully chosen places to shine. But his performance seems too calculated, punctuated by an “old man shuffle,” a sing-song voice, and a fat suit. He is not helped by the fact that there are two older actors in the cast, belying his age makeup. His is the same mistake that Kevin Klein made recently in New York. Neither of them is right temperamentally to play the role of Falstaff, at least at their respective ages (Klein is older). They are romantic, heroic, leading men, not really character actors, though it can be argued that every role is a character role. Elliot is a wonderful actor and his performance may grow, and far be it from me to say he shouldn’t have attempted it.

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ROBERT MACHRAY has appeared in over 150 plays and has worked at 14 Tony Award-winning theatres. He has been nominated for and won numerous awards. Robert has a B.A. from Yale and an M.F.A. from USC. He has taught at USC, UCLA, UCSB, and Pasadena City College. Robert was the Artistic Director for the Classical Theatre Lab in Los Angeles. He has directed, cast, produced, and acted.
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Theatre Review (LA): Henry IV Part One by William Shakespeare at A Noise Within
Published: March 10, 2008
Type: Review
Section: Culture
Filed Under: Culture: Theater, Review
Part of a feature: StageMage
Writer: Robert Machray
Robert Machray's BC Writer page
Robert Machray's personal site
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