The writers have stopped their strike. Hallelujah! Although there are still a few details to be ironed out, the picket lines worked. Now, what does this mean for those of us into television? It's not what one might think.

When the strike began last year, the writers assumed nationwide attention to the problem would help them. Why? Several answers can be given. The biggest has to do with viewers being told about "unfair" business practices — they can add fuel to the fire. When a production company offers a chance to purchase a show on DVD, more income is created. Considering the boatload of people needing payment for time and expertise, I suspect every bit of income helps. If viewers take the side of writers, they may not buy or watch episodes online the next day.

Scripts are planned over time. We see the show September through May, but work starts long before. Developing words for characters to say is one thing. Carrying a storyline over several episodes takes skill. Plus, actors read a script through before taping. They, and many others involved in the production process, may make suggestions for some changes. Obviously, this depends on what show and who is involved. Series regulars, seen each week, get an understanding of who they portray. It's not uncommon for somebody to write (or co-write) a script. If actors comprise writing staff (The Office is a good example), the shutdown was felt more keenly.

Some reality television was used as a stopgap, but those shows are only designed to be on for a short time. For example, Dance Wars is now complete. Something has to go in the time slot every week, however. Repeats can work, but those get old and don't have as good ratings. It's also possible for a show in its first season to not have enough repeats to last until originals return.

A few adjustments have been made in the meantime. 24, which usually starts in January, is off the air and doesn't plan on returning in 2009. I was delighted, however, to see an addition to the CBS schedule. Dexter began airing on February 17! The show's concept is a switch from the CSI format. The forensic investigator is the killer! Unlike normal cops, Dexter makes sure to not go after the same criminals the cops seek (sometimes). I finally got a peek at the show with critical acclaim. Not only is Michael C. Hall a wonderful actor (talk about hot!), the show is solid. The 10pm time slot should tell you something; the show is not for children, period. Gory? Not really. However, the visual images are not for the weak of stomach.

As to what is coming up on the returning regular shows, there is not much to report. However, part of the writing I do for Blogcritics involves covering television, and since I cover CSI:NY premiere to finale, I thought a teaser would be appreciated. In the seven episodes left, one of the storylines will involve arson. Was my last article read? I mentioned a guest star who would be perfect on the show, and fire fits right in. Tune in starting April 2 to catch up with Mac Taylor.