REVIEW

Music Review: Willie Nelson - Moment of Forever

Written by Donald Gibson
Published January 29, 2008

Willie Nelson doesn’t mince words to make a point.

So when he sings “Louisiana,” the Randy Newman classic inspired by a 1927 flood that struck an eerily evocative chord in the aftermath of Hurricane Katrina, Nelson modifies Newman’s sardonic lyrics to underscore the federal government’s incompetence in addressing this modern-day catastrophe. His voice warbling and weathered but unsparing in tone, he delivers an unembellished version of events:

President came down in his big airplane
With his little fat man with a note pad in his hand
President say, “Little fat man, oh, isn’t it a shame
What the river has done to this poor farmer’s land.”

In much the same way, whether on behalf of his country or his heart, Willie Nelson cuts to the bone, sounding authentic as ever on his latest album, Moment Of Forever.

The American music legend, who turns 75 this year, sounds like he still has something to prove and, with this effort, he succeeds. While interpreting ten tracks written by others, Nelson also contributes three original songs. Produced by Kenny Chesney and Buddy Cannon, the album works so well because the music accommodates Nelson’s vocal rather than distracting from it.

For instance, the title track and “Keep Me From Blowing Away,” both complemented by gentle acoustic guitars and piano, are among the most touching songs Nelson has offered in recent memory. Likewise, his performances on “Over You Again” and “Always Now” embrace a certain emotional vulnerability that makes him seem ironically resilient.

In addition to the aforementioned rendition of “Louisiana,” two other conspicuous covers stand out: Dave Matthews’ “Gravedigger” and Bob Dylan’s “Gotta Serve Somebody.” On the former, Nelson sounds as ominous as the shadowy music seething and swirling around him. On the latter, which runs nearly ten minutes long, he commands the pointed lyrics with such authority that this may indeed be the song’s definitive version.

Not to be eclipsed by darkness and dogma, Nelson displays his ubiquitous sense of humor on “You Don’t Think I’m Funny Anymore,” a self-penned tune on which he asks, “Did you hear the one about the dirty whore?” Of course, you probably won’t hear this one on your local country radio station.

All kidding aside, Moment Of Forever finds Willie Nelson in his element, singing quality material with absolute conviction. His distinctive ability to interpret a song that, in turn, gives voice to others, remains his greatest contribution to music.

A graduate of the University of South Florida with a B.A. in English, Donald Gibson writes about music as well as on film, books, and various pop culture topics.

He is a regular contributor to Blogcritics Magazine and he publishes his own website.

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Music Review: Willie Nelson - Moment of Forever
Published: January 29, 2008
Type: Review
Section: Music
Filed Under: Review, Music: Country and Americana
Writer: Donald Gibson
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#1 — January 30, 2008 @ 09:11AM — Mat Brewster [URL]

Nice review. I've been wondering if I should get this, and now I know I'll have too.

#2 — January 30, 2008 @ 14:54PM — Hung Nguyen

Here's the thing about Willie: you can get him to sing over the most contrived piece of pop country, and it will still sound like a great song because WILLIE is singing it. The man has so much warmth and character built into his voice that having him sing on just about any composition is gold. His cover of Always On My Mind is heartbreaking and, in my opinion, is superior to the version made famous by Elvis.

I always think about this duet he did with Leann Womack one time. It's a piece of country love song fluff, and were it Tim McGraw or Clay Walker or even another classic country idol like Kenny Rogers, it would probably be unlistenable. But when Willie sings the male part of the duet, he truly sells the part of the wistful old flame, and the song becomes enjoyable.

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