NEWS

New Album Releases 01/08/08: Marah, Medeski Martin & Wood, Johnny Cash, Ultimate Grammys, Lotsa Reissues And More

Written by Glen Boyd
Published January 08, 2008
Part of New CDs

Welcome to the first New Album Releases column of 2008.

So, as you would probably expect there is not one whole hell of a lot to talk about in this second week of 2008, following a somewhat less than overwhelming slate of new music from the labels during the recently concluded holiday buying season. And, of course let us not forget that the first really big news of 2008 actually happened last week, as Radiohead dropped the physical version of its much-talked about In Rainbows CD in stores on New Years Day.

Actually, the biggest news this week probably lies in the fact that the labels didn't quite get all of those holiday reissue packages out before Christmas after all. Among the unusually high volume of reissues hitting stores this week are multiple catalog titles from everyone from Billy Squier to Donnie "Ah, Leah" Iris to Sammy Hagar to The Bangles and Laura Branigan.

But since the expected big guns of the first quarter of 2008 — from artists like Coldplay and Janet Jackson — aren't expected to begin rolling out until February, for now we'll take whatever we can get. Which for this week means new albums from Marah and Medeski, Martin & Wood.

I'm actually pretty excited about Marah's new Angels of Destruction CD, since they are one of my favorite so-called "indie rock" bands — although that label doesn't always fit these guys. In the past, the Bielanko Brothers (Dave and Serge) could always be counted on for two things. One, is a kick-ass live show, and the other are great songs that cover everything from busted relationships to the joys and sorrows of drinking (like I said, my kind of band).

Musically, they can be a bit all over the place — from said indie rock to even the occasional celtic jig. On this album, they welcome new member Christine Smith on keyboards, and early reports say she brings a bit of a jazz flavor to the mix.

Like Marah, Medeski, Martin & Wood tend to defy categorization, but the one thing fans of these guys will swear by is their undeniable musical chops. Past releases have seen these guys combine elements of blues, jazz, and funk to create an intoxicating stew of musical improvisation. One never knows exactly what you will get on an album by these guys, although I hear the new Let's Go Everywhere is actually a children's album, so I guess we'll see .

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GlenSoprano

You'll find Blogcritics assistant music editor Glen Boyd sharing his Thoughtmares on his personal blogs The World Wide Glen, and The Rockologist, as well as at Cinema Blend Music. In a previous life, Glen was a music professional and journalist whose work has appeared in The Rocket, SPIN, Pulse!, and The Source. Glen is also seeking an active full-time writing gig. Will somebody please hire this man?
Keep reading for information and comments on this article, and add some feedback of your own!
New Album Releases 01/08/08: Marah, Medeski Martin & Wood, Johnny Cash, Ultimate Grammys, Lotsa Reissues And More
Published: January 08, 2008
Type: News
Section: Music
Filed Under: Music: Recording, Music: News, Music: Lists, Music: Business
Part of a feature: New CDs
Writer: Glen Boyd
Glen Boyd's BC Writer page
Glen Boyd's personal site
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Comments

#1 — January 13, 2008 @ 21:23PM — JC Mosquito

Blue Oyster Cult's Imaginos - can someon explain that to me? It was an ongoing project that took years to finally complete or something... I never did get what the point of it was, especially comimg at the tail end of their career.

#2 — January 20, 2008 @ 09:40AM — Rob Reich

Blue Oyster Cult's Imaginos was a concept album that Sandy Pearlman, their manager/producer/lyricist, had developed early in their careers. While some of the lyrics made it on to BOC albums, they never did the whole album. Original drummer Albert Bouchard then took on the project after he left the band. CBS wasn't ahppy with his version, so it sat for a while until Pearlman brought in Buck Dharma and Eric Bloom to add vocals and some guitar work. It was then released as a BOC record, but calling it that is a bit of a stretch.

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