St. John of the Midfield is the first novel by the author of a short story collection and a children’s book. It’s a valiant attempt that falls a little short, and by “short” I mean 169 very small pages of very large print. In addition, the characters are not as fleshed out as I would like for a full-length novel -- the plot is there, just not as actualized as it might be.

There are also two very brief short stories tacked onto the end of the book. It’s almost as an afterthought, as though Maccagnone had wanted to put them in his previous short story collection but didn’t quite have room, so he just adds them here to give them exposure. They’re little more than anecdotes: the first a disjointed story about juvenile pranks and the second an ode to a good dog.

The story is set in Michigan, outside of Detroit, and is narrated by Mario Santini, whose son, Luca, is a young soccer prodigy. Luca tries out for a youth soccer club and makes the Rochester Crusaders. The Crusaders are coached by Bobo Stoikov, a former World Cup soccer star who defected from Bulgaria some 20 years earlier. Injured during his escape from Bulgaria and no longer able to play himself, coaching soccer is all Bobo has left. He is a wonderful coach, focusing on developing ball skills and passing techniques, encouraging the boys to play elegant European-style soccer.

In his devout, Slavic idiom he describes the positions with apostolic metaphors: defenders are like Peter, “tough and strong. Judas is a striker. He play[s] for himself.” But midfielders are like St. John: obedient, generous, smart. Luca Santini, a good Italian Catholic boy, is a midfielder, one of the best in the league. The boys (and their parents) quickly love the eccentric Bobo and soon the team is winning all of their games.