Screenwriters Akiva Goldsman (Cinderella Man, Practical Magic) and Mark Protosevich (Poseidon, The Cell) adapt this 1954 Richard Matheson novel well while stripping down several scenes to the basic human functions. This surprisingly basic format lets the audience enjoy a largely non-manipulative ride where they can inject their own thoughts into the visuals. Screenwriters put great continuity into the script as every presented element ties together well. The film may warrant repeat viewings for some interesting billboards and other environmental elements viewers might not pick up the first time through. Not a good enough reason? Reliving the passionate experience is also recommended because you get a better perspective of Neville’s motivations after the first viewing, which emotionally depleted most viewers in my sold out theater.

The antagonist mutations, seeking human elimination for their own survival, might come off as remediated zombie/vampire hybrids, but consider the original 1954 source material. Filmmakers do not show two of the most graphic scenes, which are also the most emotional — and they don't have to. Less visual is more, especially when lives are at stake. The plot manipulates emotions at times as filmmakers know when to hold the brakes and add a little humor to the plot during the tense moments. It's also nice to see a film that presents the “end of the world” danger without a bunch of government officials pacing around as they ponder their dramatic decisions.

Director Francis Lawrence (Constantine) does an outstanding job except for a shaky, misplaced hand-held camera sequence as Neville hunts near the beginning. Smith’s performance and the successful emotional tugging in the plot push this strongly themed film to a high level. Great morals and themes complimented with plenty of surprises and realistic action. Recommended and rated PG-13 for action violence and related gore.