Music Review: Opeth - The Roundhouse Tapes
Published November 28, 2007
The experience of just listening to this album without a specific focus is amazing, and I recommend that you try it. Put on some headphones, turn out the lights, press play, and just sit there. Allow Mikael Akerfeldt's voice to enter, and the guitars to breach your ears and dig into your mind. Simply put, this is a performance of unmatched skill.
On this album Opeth haven't convinced me they are the greatest band in the world, but there is absolutely no denying their skillful songwriting and instrumental mastery. There is a beautiful balance between the soft and beautiful, and the guttural and brutal. In their song structures and lengthy excursions, one could favorably compare them to Pink Floyd.
The set spans their entire career from Orchid ("Under the Weeping Moon") through Ghost Reveries ("Ghosts of Perdition"). Unlike their last live album, 2006's Lamentations, — which focused primarily on their then latest studio release, Damnation — the band emphasizes their entire career here.
While some fans may disagree with their song choices, I cannot take any such line. For one thing, most of the songs here are new to me. Secondly, if the setlist consisted only of fan favorites, it would become too predictable.
Bottomline: What else can be said? The Roundhouse Tapes is an exquisite live album, capturing near perfect performances. Hearing the rarely played songs here, makes this album a must both for hardcore fans as well as more casual listeners like me. Not only will you experience a searing live performance — you'll also be getting an overview of their entire career. There really is no way to go wrong with this.
- Music Review: Opeth - The Roundhouse Tapes
- Published: November 28, 2007
- Type: Review
- Section: Music
- Filed Under: Music: Metal, Music: Live Concerts, Review
- Writer: Chris Beaumont
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Comments
If he was, it is a secret... There is no mention of him in the liner notes, nor in any other writing I saw about the release.
Blackwater Park, Deliverance, and Damnation are the only discs that Wilson worked with the band on, Glen. He seems to have put a stake in the ground to guide them, however, as Ghost Reveries, which followed those three, bears his mark all over it without him being present.
Truly awesome live album. Really blown away by this thing. Sound quality is amazing as is the performance. It's got a real "you are there" feeling going on, which is something I've been missing in live albums lately. My only complaint, and it's pretty minor after hearing it, is that Martin Lopez had to leave the band before this was recorded. What an incredible drummer - no disrespect to Martin Axenrot meant, of course.


Christopher Beaumont spends much of his time writing about entertainment when he isn't sitting in a movie theater. He is known around the office as the "Movie Guy" and is always ready to talk about his favorite form of entertainment and offer up recommendations. Interests include science fiction, horror, and metal music. His writings can be found at 


So Chris, was Porcupine Tree's Steven Wilson involved with this in any way? I've heard that he has something of a relationship with these guys...just curious because he isn't mentioned here...
-Glen